Search results
Results from the WOW.Com Content Network
Decoupage or découpage ( / ˌdeɪkuːˈpɑːʒ /; [ 1] French: [dekupaʒ]) is the art of decorating an object by gluing colored paper cutouts onto it in combination with special paint effects, gold leaf, and other decorative elements. Commonly, an object like a small box or an item of furniture is covered by cutouts from magazines or from ...
Florentine craft box with decoupage and painted gold gilding. Florentine crafts made in Florence, Italy, are a centuries-old tradition maintained by several artisan guilds. Florentine style, especially in items produced in from the mid-19th century onward, typically reflect a contemporary interpretation of Renaissance art and furnishings.
Gilding is a decorative technique for applying a very thin coating of gold over solid surfaces such as metal (most common), wood, porcelain, or stone. [ 1] A gilded object is also described as "gilt". Where metal is gilded, the metal below was traditionally silver in the West, to make silver-gilt (or vermeil) objects, but gilt-bronze is ...
Ormolu. A garniture of an ormolu clock and candelabra at the Palace of Versailles in France. Ormolu ( / ˈɔːrməˌluː /; from French or moulu 'ground/pounded gold') is the gilding technique of applying finely ground, high-carat gold – mercury amalgam to an object of bronze, and objects finished in this way. The mercury is driven off in a ...
Corinthian bronze. Corinthian bronze, also named Corinthian brass or aes Corinthiacum, was a metal alloy in classical antiquity. It is thought to be an alloy of copper with gold or silver (or both), although it has also been contended that it was simply a very high grade of bronze, or a kind of bronze that was manufactured in Corinth. [ 1] It ...
Art in bronze and brass dates from remote antiquity. These important metals are alloys, bronze composed of copper and tin and brass of copper and zinc . Proportions of each alloy vary slightly. Bronze may be normally considered as nine parts of copper to one of tin. Other ingredients which are occasionally found are more or less accidental.
Lost-wax casting. Lost-wax casting – also called investment casting, precision casting, or cire perdue ( French: [siʁ pɛʁdy]; borrowed from French) [ 1] – is the process by which a duplicate sculpture (often a metal, such as silver, gold, brass, or bronze) is cast from an original sculpture. Intricate works can be achieved by this method.
In Paris in the 1920s Alexander Calder, Jose De Creeft, Picasso and others began making fully 3-dimensional works from metal scraps, found metal objects and wire. In the U.S., one of the earliest and most prolific assemblage artists was Louise Nevelson, who began creating her sculptures from found pieces of wood in the late 1930s.