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Perhaps 14th century. An engraved gem, frequently referred to as an intaglio, is a small and usually semi-precious gemstone that has been carved, in the Western tradition normally with images or inscriptions only on one face. [1] The engraving of gemstones was a major luxury art form in the ancient world, and an important one in some later periods.
Lapidary. Lapidary (from the Latin lapidarius) is the practice of shaping stone, minerals, or gemstones into decorative items such as cabochons, engraved gems (including cameos ), and faceted designs. A person who practices lapidary is known as a lapidarist. A lapidarist uses the lapidary techniques of cutting, grinding, and polishing.
Cameo ( / ˈkæmioʊ /) is a method of carving an object such as an engraved gem, item of jewellery or vessel. It nearly always features a raised (positive) relief image; contrast with intaglio, which has a negative image. [1] Originally, and still in discussing historical work, cameo only referred to works where the relief image was of a ...
Ancient engraved gems were often reused among stones, which in early medieval jewelled objects were often set profusely, spaced out across surfaces, mixed with ornaments in gold. Medieval gem engraving only recaptured the full skills of classical gem engravers at the end of the period, but simpler inscriptions and motifs were sometimes added ...
Priestly breastplate. The priestly breastplate or breastpiece of judgment ( Hebrew: חֹשֶׁן ḥōšen) was a sacred breastplate worn by the High Priest of the Israelites, according to the Book of Exodus. In the biblical account, the breastplate is termed the breastplate of judgment ( Hebrew: חֹשֶׁן מִשְׁפָּט ḥōšen ...
Hardstone carving, in art history and archaeology, is the artistic carving of semi-precious stones (and sometimes gemstones ), such as jade, rock crystal (clear quartz ), agate, onyx, jasper, serpentinite, or carnelian, and for objects made in this way. [1] [2] Normally the objects are small, and the category overlaps with both jewellery and ...
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