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The English modal auxiliary verbs are a subset of the English auxiliary verbs used mostly to express modality, properties such as possibility and obligation. [a] They can most easily be distinguished from other verbs by their defectiveness (they do not have participles or plain forms [b]) and by their lack of the ending ‑(e)s for the third-person singular.
Generally, however, will is far more common than shall. Use of shall is normally a marked usage, typically indicating formality or seriousness and (if not used with a first person subject) expressing a colored meaning as described below. In most dialects of English, the use of shall as a future marker is viewed as archaic. [9]
As for shall vs should, my (northwestern US) ears prefer shall but the difference is very slight. Shall focuses on your magnimony, and you may already be half-standing when you say it. Should focuses on your social obligation, and you may have no intention of opening the window unless the other person says "yes".
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"Thou shalt not take the name of the L ORD thy God in vain" (KJV; also "You shall not make wrongful use of the name of the Lord your God" and variants, Biblical Hebrew: לֹא תִשָּׂא אֶת-שֵׁם-יהוה אֱלֹהֶיךָ לַשָּׁוְא, romanized: Lōʾ t̲iśśāʾ ʾet̲-šēm-YHWH ʾĕlōhēḵā laššāwəʾ ) is the second or third (depending on numbering) of God's ...
Item, it is accorded, That no Man nor Woman great nor small of England, Ireland, nor Wales, nor of our Sovereign Lord the King's Power in Scotland, of what Estate or Condition he be, the King, Queen, and their Children only except, shall wear no Cloth, which shall be bought after the Feast of Saint Michael next Coming, Other than is made in England, Ireland, Wales, or Scotland within the King ...
"He who doesn't work, doesn't eat" – Soviet poster issued in Uzbekistan, 1920. He who does not work, neither shall he eat is an aphorism from the New Testament traditionally attributed to Paul the Apostle, later cited by John Smith in the early 1600s colony of Jamestown, Virginia, and broadly by the international socialist movement, from the United States [1] to the communist revolutionary ...
The Hat Makes the Man (1920) is a collage by the German dadaist/surrealist Max Ernst. It is composed of cut out images of hats from catalogues linked by gouache and pencil outlines to create abstract anthropomorphic figures. There are inscriptions in ink that read "seed-covered stacked-up man seedless waterformer ('edelformer') well fitting ...