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Dionysus in Greek mythology is a god of foreign origin, and while Mount Nysa is a mythological location, it is invariably set far away to the east or to the south. The Homeric Hymn 1 to Dionysus places it "far from Phoenicia, near to the Egyptian stream". [244]
In addition, Dionysus is known as Lyaeus ("he who unties") as a god of relaxation and freedom from worry and as Oeneus, he is the god of the wine press. In the Greek pantheon, Dionysus (along with Zeus) absorbs the role of Sabazios, a Phrygian deity. In the Roman pantheon, Sabazius became an alternate name for Bacchus. [14]
The Derveni krater, height: 90.5 cm (35 ½ in.), 4th century BC. The Dionysian Mysteries of mainland Greece and the Roman Empire are thought to have evolved from a more primitive initiatory cult of unknown origin (perhaps Thracian or Phrygian) which had spread throughout the Mediterranean region by the start of the Classical Greek period.
Dionysus has been coined the "masked god," "wine god," and "god of theater" due to his androgynous appearance [5] and ability to hide his true self under facades and enthusiasm. Many Greek stories believe Dionysus to be the son of Zeus, [1] separated and placed in the care of Nysa nymphs in an attempt to protect him from Hera's anger towards ...
Etymologically it is a nominalized adjective formed with a -ios suffix from the stem Dionys- of the name of the Greek god, Dionysus, [1] parallel to Apollon-ios from Apollon, with meanings of Dionysos' and Apollo's, etc. The exact beliefs attendant on the original assignment of such names remain unknown.
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Dionysus: Bacchus Liber: God of wine, the grapevine, fertility, festivity, ecstasy, madness and resurrection. Patron god of the art of theatre. The son of Zeus and the mortal Theban princess Semele. Married to the Cretan princess Ariadne. The youngest Olympian god, as well as the only one to have a mortal parent.
The Apollonian and the Dionysian are philosophical and literary concepts represented by a duality between the figures of Apollo and Dionysus from Greek mythology.Its popularization is widely attributed to the work The Birth of Tragedy by Friedrich Nietzsche, though the terms had already been in use prior to this, [1] such as in the writings of poet Friedrich Hölderlin, historian Johann ...