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Aidan Meehan is an Irish artist and author of 18 books on Celtic art and design. [1] [2] including the eight-volume Celtic Design series and Celtic Alphabets, Celtic Borders, The Book of Kells Painting Book, The Lindisfarne Painting Book and Celtic Knots, all published by Thames & Hudson
It includes the Migration art of the Germanic tribes on the continent, as well the start of the Insular art or Hiberno-Saxon art of the Anglo-Saxon and Celtic fusion in Britain and Ireland. It covers many different styles of art including the polychrome style and the animal style .
The Pictish Beast (sometimes Pictish Dragon or Pictish Elephant) is an artistic representation of an animal, distinct to the early medieval culture of the Picts of Scotland. The great majority of surviving examples are on Pictish stones. The Pictish Beast accounts for about 40% of all Pictish animal depictions, and so was likely of great ...
The arms of Ireland are a gold, silver-stringed Celtic harp (cláirseach) on an azure field.. As a region, Northern Ireland has not been granted a coat of arms, but the Government of Northern Ireland was granted arms in 1924, which have not been in use since the suspension of the Parliament of Northern Ireland in 1972, which was abolished the following year.
English: Vector version of a design from the Book of Kells, fol. 29r. Traced outlines in black and white representing three intertwined dogs. Traced outlines in black and white representing three intertwined dogs.
The Tara Brooch is widely considered the most elaborately constructed and decorated surviving Insular object, with metalwork that exceeds in richness of ornamentation both the 8th century Ardagh and early 9th century Derrynaflan chalices [22] It is older than both, and one of the earliest Insular metalwork pieces to depict animals in the ...
The Celtic leaf-crown (German: Blattkrone) is a motif of Celtic art from the early La Tène period. A leaf-crown is composed of two broad lobe-shaped elements. The crowns adorn the heads of anthropomorphic figures, almost always male and often bearded. The lobes have been identified with mistletoe leaves. The interpretation of this motif is ...
The concept was likely imported to Britain and Ireland Celts by the Guals during the pre-Roman period, with the Rimi altar becoming a major influence on Insular Celtic art. Sculptures from the period often show deities with either three faces or heads, while sacred animals such as lambs, have three rather than two horns. [26]