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"Free as a Bird" is a single released in December 1995 by English rock band the Beatles. The song was originally written and recorded in 1977 as a home demo by John Lennon . In 1995, 25 years after their break-up and 15 years after Lennon's murder , his then surviving bandmates Paul McCartney , George Harrison and Ringo Starr released a studio ...
Besides the dominant seventh chords discussed above, other seventh chords—especially minor seventh chords and major seventh chords—are used in guitar music. Minor seventh chords have the following fingerings in standard tuning: Dm7: [XX0211] Em7: [020000] Am7: [X02010] Bm7: [X20202] F ♯ m7: [202220] or ([XX2222] Also an A/F ♯ Chord)
Misunderstood is the debut commercial mixtape by American rapper JayDaYoungan. It was released on October 11, 2019 by Atlantic Records . It features guest appearances by rappers YFN Lucci , Boosie Badazz , FG Famous, Jetsoo, and Lil Durk .
"Remember Then" is a pop song written by Tony Powers and Beverly Ross, and first recorded in 1962 by doo-wop vocal group The Earls. Original copies of The Earls' version, on the Old Town label , show only Powers as the writer, while some later versions give a writing or co-writing credit to record producer Stan Vincent.
"Memories Back Then" is a song by American hip hop recording artist T.I., featuring guest appearances from fellow American rappers B.o.B and Kendrick Lamar, as well as vocals from American singer-songwriter Kris Stephens. The song, produced Maurice "Kenoe" Jordan, was initially released as a single by Hustle Gang on April 22, 2013.
The Rip Chords were an early-1960s American vocal group, originally known as the Opposites, composed of Ernie Bringas and Phil Stewart. [1] The group eventually expanded into four primary voices, adding Columbia producer Terry Melcher and co-producer Bruce Johnston (best known as a member of the Beach Boys).
The Blues for Alice changes, Bird changes, Bird Blues, or New York Blues changes, is a chord progression, often named after Charlie Parker ("Bird"), which is a variation of the twelve-bar blues. The progression uses a series of sequential ii–V or secondary ii–V progressions, and has been used in pieces such as Parker's " Blues for Alice ".
Play ⓘ. Conventional progression or cadence without tritone substitution, i.e., NOT Tadd Dameron turnaround. Play ⓘ. In jazz, the Tadd Dameron turnaround, named for Tadd Dameron, "is a very common turnaround in the jazz idiom", [1] derived from a typical I−vi−ii−V turnaround through the application of tritone substitution of all but the first chord, thus yielding, in C major:
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