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This article lists songs of the C vs D "mash-up" genre that are commercially available (as opposed to amateur bootlegs and remixes).As a rule, they combine the vocals of the first "component" song with the instrumental (plus additional vocals, on occasion) from the second.
The song went viral when the remixes' instrumental was put to other songs. [278] 009 Sound System – An electronic music project by Alexander Perls that gained popularity on YouTube after its implementation of the AudioSwap system on the website, which replaced copyrighted music with a Creative Commons licensed track. Since the track names ...
Secondhand Sounds is a compilation album of remixes by British electronic musician Herbert. [1] Recorded between 1996 and 2001, [ 2 ] it was released on Peacefrog Records in 2002. [ 3 ]
The name Pop Will Eat Itself was taken from an NME feature on the band Jamie Wednesday, written by David Quantick, which proposed the theory that because popular music simply recycles good ideas continuously, the perfect pop song could be written by combining the best of those ideas into one track. Hence, "pop will eat itself".
The name is derived from the Norwegian musical duo "Nightcore" (Norwegian pronunciation: [ˈnɑɪ̯tkɔːɾ]), who released pitch-shifted versions of trance and Eurodance songs. Nightcore is also almost always associated and accompanied with anime and otaku culture, with many YouTube thumbnails , and similar formats, of nightcore remixes ...
This is a category for remixers, with an emphasis on the remix production of more mainstream type singles into songs suitable for the club/dance environment or for maxi single sales. This is a category dealing with electronic dance music (EDM) (not R&B or rhythmic remixes).
This is a list of electronic music genres, consisting of genres of electronic music, primarily created with electronic musical instruments or electronic music technology. A distinction has been made between sound produced using electromechanical means and that produced using electronic technology. [ 1 ]
Early pop remixes were fairly simple; in the 1980s, "extended mixes" of songs were released to clubs and commercial outlets on vinyl 12-inch singles.These typically had a duration of six to seven minutes, and often consisted of the original song with 8 or 16 bars of instruments inserted, often after the second chorus; some were as simplistic as two copies of the song stitched end to end.