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Robert Rutledge (June 3, 1948 – October 15, 2001) was an American sound editor who won Best Sound Editing at the 1985 Academy Awards. He won for Back to the Future, which was shared with Charles L. Campbell. [1] At the 32nd British Academy Film Awards, he won a BAFTA Award for Best Soundtrack for the film Star Wars.
Alan Robert Murray (July 30, 1954 – February 24, 2021) was an American sound editor. Murray was nominated for ten Academy Awards. In 2007, Murray won the Academy Award for Best Sound Editing for his work on Letters from Iwo Jima (2005). [1] In 2015, Murray won his second Academy Award for Best Sound Editing for his work on American Sniper ...
George Watters II (born September 19, 1949) is an American retired sound editor with more than 80 feature film credits. [2] He has won the Academy Award for Best Sound Editing twice, for The Hunt for Red October (1990) and for Pearl Harbor (2001).
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Best Sound Editing - Sound Effects and Foley for Feature Film Spider-Man 3: Nominated I [14] [11] 20 February 2010 Best Sound Editing - Dialogue and ADR in a Feature Film The Hurt Locker: Nominated J [15] [16] Best Sound Editing - Best Sound Editing - Sound Effects and Foley in a Feature Film Nominated K: 2012: Nominated L: 15 February 2015
It honors sound editors whose work has warranted merit in the field of cinema; in this case, their work in the field of non-theatrical film; i.e. films that go direct-to-video or direct-to-streaming. It was first awarded in 1999, for films released the previous year, under the title Best Sound Editing – Direct to Video – Sound. From 1999 ...
Jim and Anne would go see their son every weekend, squeezed together in a loud, communal space with other families. It could be so hard to talk to Patrick over the noise. Jim and Anne gave their names to the receptionist and told her that they had brought a letter requesting Patrick’s records.
As the album notes point out: 2001: A Space Odyssey, Dune, Dog Day Afternoon, Kill Bill, Sexy Beast, Training Day, and Blade Runner amongst others. The first disc Widescreen Edit – A New Hope , which is taken from the first original Star Wars film Star Wars Episode IV: A New Hope , and mainly focuses on inventive usage of film dialogue and ...