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In music, a glissando (Italian: [ɡlisˈsando]; plural: glissandi, abbreviated gliss. ) is a glide from one pitch to another ( Play ⓘ ). It is an Italianized musical term derived from the French glisser , "to glide".
arpeggio, arpeggiato played like a harp (i.e. the notes of the chords are to be played quickly one after another instead of simultaneously); in music for piano, this is sometimes a solution in playing a wide-ranging chord whose notes cannot be played otherwise; arpeggios are frequently used as an accompaniment; see also broken chord articulato
Arpeggio, arpeggiando, arpeggiato - A bouncing stroke, played on broken chords, so that each note of the arpeggio is played on a different string. Tremolo - Chiefly used for orchestral playing, this consists of moving the bow back and forth in very short strokes extremely rapidly, not in precisely measured rhythm (usually at upper half of the bow).
Video of a tremolo effect pedal, producing a cycling variation of volume, played with an electric guitar. A separate type of tremolo is a variation in amplitude: As produced on organs by tremulants; Using electronic effects in guitar amplifiers and effects pedals which rapidly turn the volume of a signal up and down, creating a "shuddering" effect
A series of arpeggios in J. S. Bach's Jesu, Joy of Man's Desiring "The Star-Spangled Banner" opens with an arpeggio. [1] Arpeggios open Beethoven's Moonlight Sonata and continue as accompaniment An arpeggio ( Italian: [arˈpeddʒo] ) is a type of broken chord in which the notes that compose a chord are individually sounded in a progressive ...
Articulation is a musical parameter that determines how a single note or other discrete event is sounded. Articulations primarily structure an event's start and end, determining the length of its sound and the shape of its attack and decay.
A more modern expert of the saxophone glissando is Phil Woods who can play a fluid glissando across the entire range of the horn. [10] [citation needed] Multiphonics is the technique of playing more than one note at once. A special fingering combination causes the instrument to vibrate at two different pitches alternately, creating a warbling ...
Jean-Claude Risset subsequently created a version of the scale where the tones glide continuously, and it is appropriately called the continuous Risset scale or Shepard–Risset glissando. [3] When done correctly, the tone appears to rise (or fall) continuously in pitch, yet return to its starting note.