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The quarter tone scale may be primarily a theoretical construct in Arabic music. The quarter tone gives musicians a "conceptual map" they can use to discuss and compare intervals by number of quarter tones, and this may be one of the reasons it accompanies a renewed interest in theory, with instruction in music theory a mainstream requirement ...
Quarter tone scale: Quarter tone scale C. Play ... A free Android app with scales & building chords for the scales; A Study Of Scales This page was last ...
Dialogue, for two pianos tuned a quarter-tone apart, eight hands, W.o.O. (1959) Dithyrambe, for two pianos tuned a quarter-tone apart, Op. 12 (1923–1924) Études sur les mouvements rotatoires, for two pianos tuned a quarter-tone apart, eight hands, Op. 45a.; for chamber orchestra, Op. 45c (1961)
A quarter note or crotchet (/ ˈ k r ɒ t ʃ ɪ t /) is a musical note played for one quarter of the duration of a whole note (or semibreve). Quarter notes are notated with a filled-in oval note head and a straight, flagless stem .
Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
A septimal quarter tone (in music) is an interval with the ratio of 36:35, which is the difference between the septimal minor third and the Just minor third, or about 48.77 cents wide. The name derives from the interval being the 7-limit approximation of a quarter tone .
In Germany, Austria, and Czechoslovakia in the 1910s and 1920s the usual term continued to be Viertelton-Musik (quarter tone music [36] [page needed]), and the type of intervallic structure found in such music was called the Vierteltonsystem, [37] [38] which was (in the mentioned region) regarded as the main term for referring to music with ...
The intermediate neutral second, called the lesser undecimal neutral second play ⓘ, has a ratio between the higher-frequency tone to the lower-frequency tone of 12:11 and is about 150.64 cents wide, while the larger one, the greater undecimal neutral second play ⓘ, has a ratio of 11:10 between the two tones and is about 165.00 cents wide.
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