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The title page states 1835 as the publication date, but because of the printing of the Doctrine and Covenants the same year, printing of the hymnal was not completed until February 1836. [4] The book is small – just 3" by 4 1 ⁄ 2" in size.
The text has its origins in a hymn "Lo! He cometh, countless Trumpets" by John Cennick published in his Collection of Sacred Hymns of 1752. [1] This was substantially revised by Charles Wesley for publication in Hymns of intercession for all mankind of 1758. [2] [3] Some hymnals present a combination of the two texts. [2]
In 2017, The Church published Christian Science Hymnal: Hymns 430–603. This hymnal complements the 1932 edition, and includes contemporary and traditional hymns, and hymns from around the world. The 2017 edition consists of 174 hymns, including 30 from the 2008 Supplement and 17 new settings of poems by Mary Baker Eddy. [12]
A Church hymnal: compiled from "Additional hymns," "Hymns ancient and modern," and "Hymns for church and home," as authorized by the House of Bishops (1870) [58] The Parish hymnal: for "The service of song in the House of the Lord" (1870) [ 59 ]
The New Century Hymnal is a comprehensive hymnal and worship book published in 1995 for the United Church of Christ.The hymnal contains a wide-variety of traditional Christian hymns and worship songs, many contemporary hymns and songs, and a substantial selection of "world music" selections (hymns and worship songs from non-European-American) origin, a full lectionary-based Psalter, service ...
Although the work was not published until 1765, Smart was advertising a work containing both Psalms and Hymns in 1763. [5] The Hymns contained thirty-five hymns. They were not reprinted until Christopher Smart's daughter, Elizabeth LeNoir, published Miscellaneous Poems, which contained changed versions of hymn 3, 7, 10, 11, 13, 15, 28, and 32. [5]
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When the hymn came to be added to Hymns Ancient and Modern it was rewritten to include only five stanzas. In 1885, three more stanzas were added to the original seven for use as an ecclesiastical processional hymn in Salisbury Cathedral; this version was used again during the 1888 Lambeth Conference.