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At the time of the prose poem's establishment as a form, French poetry was dominated by the alexandrine, a strict and demanding form that poets starting with Maurice de Guérin (whose "Le Centaure" and "La Bacchante" remain arguably the most powerful prose poems ever written [according to whom?]) and Aloysius Bertrand (in Gaspard de la nuit ...
Riddles are an internationally widespread feature of oral literatures and scholars have not doubted that they were traditional to Old English culture. [1] But the history of riddles as a literary genre in England seems to be rooted in an influential collection of late Antique Latin riddles, possibly from north Africa, attributed to a poet called Symphosius, whose work English scholars emulated ...
Poetry groups and movements or schools may be self-identified by the poets that form them or defined by critics who see unifying characteristics of a body of work by more than one poet. To be a 'school' a group of poets must share a common style or a common ethos.
The poem does not have a deep, hidden, symbolic meaning. Rather, it is simply pleasurable to read, say, and hear. Critical terminology becomes useful when one attempts to account for why the language is pleasurable, and how Byron achieved this effect. The lines are not simply rhythmic: the rhythm is regular within a line, and is the same for ...
A prose poem – is a composition in prose that has some of the qualities of a poem. [8] Haikai prose – combines haiku and prose. Prosimetrum – is a poetic composition which exploits a combination of prose and verse (metrum); [9] in particular, it is a text composed in alternating segments of prose and verse. [10]
The list of works in the Western canon varies according to the critic's opinions on Western culture and the relative importance of its defining characteristics. Different literary periods held great influence on the literature of Western and European countries, with movements and political changes impacting the prose and poetry of the period.
Conventions that determine what might constitute line in poetry depend upon different constraints, aural characteristics or scripting conventions for any given language. On the whole, where relevant, a line is generally determined either by units of rhythm or repeating aural patterns in recitation that can also be marked by other features such as rhyme or alliteration, or by patterns of ...
The derived adjective prosimetrical occurs in English as early as Thomas Blount’s Glossographia (1656) where it is defined as "consisting partly of Prose, partly of Meteer or Verse". [7] Works such as historical chronicles and annals, which quote poetry previously composed by other authors, are not generally regarded as "true" prosimetra. [8]