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Italy has a long history of different coinage types, which spans thousands of years. Italy has been influential at a coinage point of view: the medieval Florentine florin, one of the most used coinage types in European history and one of the most important coins in Western history, [1] was struck in Florence in the 13th century, while the Venetian sequin, minted from 1284 to 1797, was the most ...
Copper coins were struck in denominations of 1 and 3 quattrini, together with billon 5 and 10 quattrini, silver 1 ⁄ 2, 1 and 5 paolo, 1 ⁄ 4, 1 ⁄ 2, 1 and 4 fiorini. Gold coins included the sequin (Italian: zecchino), ruspone and 80 fiorini, the latter two equalled 3 and 10 sequins respectively.
When the period of the Republic ended in 1797, the one lira coin weighed 4.16 g at 8/9 fine, equal to 3.70 g fine silver or 0.239 g fine gold. [8] From 1797 the Genoese lira and all its auxiliary units were replaced by the French franc, and afterwards the Italian lira. However, the Mint of Genoa remained in operation by issuing coins until 1860 ...
The Venetian lira piccola was supplanted in the 19th century by the Italian lira of the Napoleonic Kingdom of Italy in 1806 and the Lombardy-Venetian lira of the Austrian Empire. The Italian lira was reintroduced by the Republic of San Marco in 1848 at par with the French franc , which finally replaced all previous currencies as well as the ...
A Sicilian coin commonly available for sale today is the 120 grana silver piece, weighing an ounce. It is called, in the supplementary description of this silver piece, one piastra. However, in 1823 George Crabb , in his Universal Technological Dictionary Volume 2, in addition to supporting the above relative values of onze, tarì and grano in ...
For the coinage minted by the Lombards, the most recent reference work is the first volume of Medieval European Coinage, by Philip Grierson and Mark Blackburn.In the catalogues one therefore often finds a reference of type "MEC 1, 274", where MEC indicates the initials of this work, 1, the first volume, and 274, the index number of the coin in MEC.
The subdivision and the coinage of the currency were simplified with respect to the pre-Napoleonic era: only three denominations survived. The ducat proper was the name of the gold coins, and curiously it did not exist as a single unit; the grana (singular: grano) was the name of the silver coins, itself also not existing as a single unit; the tornesel (Italian: tornese) was the name of the ...
Italian euro coins have a design unique to each denomination, though there is a common theme of famous Italian works of art throughout history. Each coin is designed by a different designer, from the 1 cent to the 2 euro coin they are: Eugenio Driutti, Luciana De Simoni, Ettore Lorenzo Frapiccini, Claudia Momoni, Maria Angela Cassol, Roberto Mauri, Laura Cretara and Maria Carmela Colaneri.