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"Here We Are" is a song written by Vince Gill and Beth Nielsen Chapman, and recorded by American country music group Alabama. It was released in June 1991 as the fifth and final single from their album Pass It On Down. The song reached number 2 on the Billboard Hot Country Singles & Tracks chart in August 1991. [2]
The practice of adding tones may have led to superimposing chords and tonalities, though added tone chords have most often been used as more intense substitutes for traditional chords. [3] For instance a minor chord that includes a major second factor holds a great deal more dramatic tension due to the very close interval between the major ...
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"Here You Come Again" is a song written by Barry Mann and Cynthia Weil, and recorded by American entertainer Dolly Parton. It was released as a single in September 1977 as the title track from Parton's album of the same name, topped the U.S. country singles chart for five weeks, and was nominated for the 1978 Grammy award for Best Female Pop Vocal Performance; it also reached number three on ...
Here We Are Again is the fourth album by the psychedelic rock band Country Joe and the Fish. It was released in 1969 with the US catalog number Vanguard VSD 79299. [ 3 ] It peaked on the Billboard 200 at number 48, and stayed on the charts for eleven weeks. [ 4 ]
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the root note (e.g. C ♯) the chord quality (e.g. minor or lowercase m, or the symbols o or + for diminished and augmented chords, respectively; chord quality is usually omitted for major chords) whether the chord is a triad, seventh chord, or an extended chord (e.g. Δ 7) any altered notes (e.g. sharp five, or ♯ 5) any added tones (e.g. add2)
In popular music and rock music, "borrowing" of chords from the parallel minor of a major key is commonly done. As such, in these genres, in the key of E major, chords such as D major (or ♭ VII), G major (♭ III) and C major (♭ VI) are commonly used. These chords are all borrowed from the key of E minor.