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Raden Adjeng Kartini, also known as Raden Ayu Kartini (21 April 1879 – 17 September 1904), [a] was a prominent Indonesian activist who advocated for women's rights and female education. She was born into an aristocratic Javanese family in the Dutch East Indies (present-day Indonesia). After attending a Dutch-language primary school, she ...
7 Hati 7 Cinta 7 Wanita (7 Hearts 7 Loves 7 Women, often abbreviated 7 Hati) is a 2011 Indonesian film. Written and directed by Robby Ertanto, it stars Jajang C. Noer, Marcella Zalianty, Happy Salma, Olga Lydia, Intan Kieflie, and Henky Solaiman. It follows the story of seven women connected through their obstetrician, Kartini.
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Kartini is the second film to be produced by Robert Ronny's Legacy Pictures. [1] Hanung Bramantyo is the director and a co-writer since the beginning of the project with the help of Bagus Bramanti to write the screenplay and Robert Ronny himself got involved in a story development of the film.
The following year, Reza Rahadian acted in four films, [3] including 3 Hati Dua Dunia, Satu Cinta and How Funny (This Country Is). [2] The former film, which dealt with interfaith romance, won a Citra Award for Best Film at the 2010 Indonesian Film Festival , [ 4 ] while the latter was Indonesia's nomination to the 83rd Academy Awards .
The letters, which were written in Dutch, reveal Kartini's views on society and modern life, and were collected by one of Kartini's correspondents Jacques Henrij Abendanon and published in 1911. They have since been translated into a number of other languages, including an English language version in 1920 and a Malay language version published ...
Raden Ajeng (Adjeng) Kartini or, more accurately, Raden Ayu (Ajoe) Kartini, (April 21, 1879–September 13, 1904), was a prominent Javanese and an Indonesian national heroine. Kartini is known as a pioneer in the area of women's rights for native Indonesians.
Kartini or Raden Adjeng Kartini was born a Javanese noblewoman in which she was able to attend Dutch colonial school which opened her eyes to Western ideals. [7] After reaching adulthood, Javanese tradition dictated that Kartini live a life in gender segregation as a young female noble. [ 3 ]