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Wood will expand and contract across the grain, and a wide panel made of solid wood could change width by a half of an inch, warping the door frame. By allowing the wood panel to float, it can expand and contract without damaging the door. A typical panel would be cut to allow 1/4" (5 mm) between itself and the bottom of the groove in the frame.
DIN 18101/1985 defines interior single molded doors to have a common panel height of 1985 mm (normativ height 2010 mm) at panel widths of 610 mm, 735 mm, 860 mm, 985 mm, 1110 mm, plus a larger door panel size of 1110 mm x 2110 mm. [25] The newer DIN 18101/2014 drops the definition of just five standard door sizes in favor of a basic raster ...
Mostly-Victorian.com - Arts, crafts and interior design articles from Victorian periodicals. "Victorian Furniture Styles". Furniture. Victoria and Albert Museum. Archived from the original on 19 November 2010; The history of wallcoverings and wallpaper; Interior design: Victorian - National Trust
The panels were not confined to just the walls of a room but were used to decorate doors, frames, cupboards, and shelves also. It was standard for mirrors to be installed and framed by the carved boiseries, especially above the mantelpiece of a fireplace. Paintings were also installed within boiseries, above doorways or set into central panels. [7]
Grand Neoclassical interior by Robert Adam, Syon House, London Details for Derby House in Grosvenor Square, an example of the Adam brothers' decorative designs. The Adam style (also called Adamesque or the Style of the Brothers Adam) is an 18th-century neoclassical style of interior design and architecture, as practised by Scottish architect William Adam and his sons, of whom Robert (1728 ...
Another design, a wall-sized glass pocket door has one or more panels movable and sliding into wall pockets, completely disappearing for a 'wide open' indoor-outdoor room experience. The sliding glass door was introduced as a significant element of pre-war International style architecture in Europe and North America .
Conrad Totman argues that deforestation was a factor in the style changes, including the change from panelled wooden sliding doors to the lightweight covered-frame shoji and fusuma. [ 100 ] A core part of the style was the shoin ("library" or "study"), a room with a desk built into an alcove containing a shoji window, in a monastic style; [ 94 ...
The interior design profession became more established after World War II. From the 1950s onwards, spending on the home increased. Interior design courses were established, requiring the publication of textbooks and reference sources. Historical accounts of interior designers and firms distinct from the decorative arts specialists were made ...
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