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  2. Pythagorean tuning - Wikipedia

    en.wikipedia.org/wiki/Pythagorean_tuning

    Pythagorean (tonic) major chord on C ⓘ (compare ⓘ equal tempered and ⓘ just). Comparison of equal-tempered (black) and Pythagorean (green) intervals showing the relationship between frequency ratio and the intervals' values, in cents. Pythagorean tuning is a system of musical tuning in which the frequency ratios of all intervals are ...

  3. Harmonic series (music) - Wikipedia

    en.wikipedia.org/wiki/Harmonic_series_(music)

    Harmonics of a string showing the periods of the pure-tone harmonics (period = 1/frequency) The harmonic series (also overtone series) is the sequence of harmonics, musical tones, or pure tones whose frequency is an integer multiple of a fundamental frequency. Pitched musical instruments are often based on an acoustic resonator such as a string ...

  4. Pythagorean interval - Wikipedia

    en.wikipedia.org/wiki/Pythagorean_interval

    Pythagorean interval. Pythagorean perfect fifth on C ⓘ: C-G (3/2 ÷ 1/1 = 3/2). In musical tuning theory, a Pythagorean interval is a musical interval with a frequency ratio equal to a power of two divided by a power of three, or vice versa. [ 1 ] For instance, the perfect fifth with ratio 3/2 (equivalent to 3 1 / 2 1) and the perfect fourth ...

  5. String harmonic - Wikipedia

    en.wikipedia.org/wiki/String_harmonic

    Playing a string harmonic (a flageolet) is a string instrument technique that uses the nodes of natural harmonics of a musical string to isolate overtones. Playing string harmonics produces high pitched tones, often compared in timbre to a whistle or flute. [ 1 ][ 2 ] Overtones can be isolated "by lightly touching the string with the finger ...

  6. Harmonic seventh - Wikipedia

    en.wikipedia.org/wiki/Harmonic_seventh

    The harmonic seventh arises from the harmonic series as the interval between the fourth harmonic (second octave of the fundamental) and the seventh harmonic; in that octave, harmonics 4, 5, 6, and 7 constitute the four notes (in order) of a purely consonant major chord (root position) with an added minor seventh (or augmented sixth, depending ...

  7. Beat (acoustics) - Wikipedia

    en.wikipedia.org/wiki/Beat_(acoustics)

    Beat (acoustics) In acoustics, a beat is an interference pattern between two sounds of slightly different frequencies, perceived as a periodic variation in volume whose rate is the difference of the two frequencies. With tuning instruments that can produce sustained tones, beats can be readily recognized.

  8. Undertone series - Wikipedia

    en.wikipedia.org/wiki/Undertone_series

    Undertone series on C. [ 1 ] In music, the undertone series or subharmonic series is a sequence of notes that results from inverting the intervals of the overtone series. While overtones naturally occur with the physical production of music on instruments, undertones must be produced in unusual ways. While the overtone series is based upon ...

  9. Seventh chord - Wikipedia

    en.wikipedia.org/wiki/Seventh_chord

    The most common chords are tertian, constructed using a sequence of major thirds (spanning 4 semitones) and/or minor thirds (3 semitones). Since there are 3 third intervals in a seventh chord (4 notes) and each can be major or minor, there are 7 possible permutations (the 8th one, consisted of four major thirds, results in a non-seventh augmented chord, since a major third equally divides the ...