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Syncretism (/ ˈsɪŋkrətɪzəm, ˈsɪn -/) [1] is the practice of combining different beliefs and various schools of thought. Syncretism involves the merging or assimilation of several originally discrete traditions, especially in the theology and mythology of religion, thus asserting an underlying unity and allowing for an inclusive approach ...
Religious syncretism. Religious syncretism is the blending of religious belief systems into a new system, or the incorporation of other beliefs into an existing religious tradition. This can occur for many reasons, where religious traditions exist in proximity to each other, or when a culture is conquered and the conquerors bring their ...
The four voices (SATB) each follow independent melodic lines (with some differences in rhythm) that together create a chord progression ending on a Phrygian half cadence. Voice leading (or part writing) is the linear progression of individual melodic lines (voices or parts) and their interaction with one another to create harmonies, typically ...
Rebetiko (Greek: ρεμπέτικο, pronounced [re(m)ˈbetiko]), plural rebetika (ρεμπέτικα [re(m)ˈbetika]), occasionally transliterated as rembetiko or rebetico, is a term used today to designate originally disparate kinds of urban Greek music which in the 1930s went through a process of musical syncretism and developed into a more distinctive musical genre.
A practitioner dressed as the orixá Oba in Brazil; the possession of adherents by orixás is central to Candomblé. Candomblé (Portuguese pronunciation: [kɐ̃dõˈblɛ]) is an African diasporic religion that developed in Brazil during the 19th century. It arose through a process of syncretism between several of the traditional religions of ...
Philology. [edit] In textual criticism, eclecticism is the practice of examining a wide number of text witnesses and selecting the variant that seems best. The result of the process is a text with readings drawn from many witnesses. In a purely eclectic approach, no single witness is theoretically favored.
In music theory, counterpoint is the relationship of two or more simultaneous musical lines (also called voices) that are harmonically interdependent yet independent in rhythm and melodic contour. [1] The term originates from the Latin punctus contra punctum meaning "point against point", i.e. "note against note".
Some forms of folk Catholic practices are based on syncretism with non-Christian or otherwise non-Catholic beliefs or religions. Some of these folk Catholic forms have come to be identified as separate religions, as is the case with Caribbean and Brazilian syncretism between Catholicism and West African religions, which include Haitian Vodou, Cuban Santería, and Brazilian Candomblé.