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Door of 10 Downing Street, London, showing a transom separating the door from the window above. In architecture, a transom is a transverse horizontal structural beam or bar, or a crosspiece separating a door from a window above it. This contrasts with a mullion, a vertical structural member. [1] Transom or transom window is also the customary U ...
Lev door (also convection door) is a floor-to-ceiling (full height) internal door, consisting of a standard door leaf and an upper leaf (often standard door leaf cut in half) in place of the usual header wall. [1][2] The leaves may or may not be separated by a transom. In cold climate, Lev doors enable effective convection of warm air through ...
King's College Chapel, Cambridge, Great East Window (four-centred arch, straight mullions and transoms) The chancel of Gloucester Cathedral (c. 1337–1357). Perpendicular Gothic (also Perpendicular, Rectilinear, or Third Pointed) architecture was the third and final style of English Gothic architecture developed in the Kingdom of England during the Late Middle Ages, typified by large windows ...
St Paul's, Covent Garden by Inigo Jones (1633), "the handsomest barn in England". The Tuscan order (Latin Ordo Tuscanicus or Ordo Tuscanus, with the meaning of Etruscan order) is one of the two classical orders developed by the Romans, the other being the composite order. It is influenced by the Doric order, but with un- fluted columns and a ...
A mullion is a vertical element that forms a division between units of a window or screen, or is used decoratively. [1] It is also often used as a division between double doors. When dividing adjacent window units its primary purpose is a rigid support to the glazing of the window. Its secondary purpose is to provide structural support to an ...
Constructivist architecture was a constructivist style of modern architecture that flourished in the Soviet Union in the 1920s and early 1930s. Abstract and austere, the movement aimed to reflect modern industrial society and urban space, while rejecting decorative stylization in favor of the industrial assemblage of materials. [ 1 ]
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