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Mudra is used in the iconography of Hindu and Buddhist art of the Indian subcontinent and described in the scriptures, such as Nātyaśāstra, which lists 24 asaṁyuta ("separated", meaning "one-hand") and 13 saṁyuta ("joined", meaning "two-hand") mudras. Mudra positions are usually formed by both the hand and the fingers.
This is a list of Yoga mudras. In yoga , mudrās are used in conjunction with pranayama (yogic breathing exercises), generally while seated in Padmasana , Ardhasiddhasana , Sukhasana or Vajrasana pose, to stimulate different parts of the body and mind, and to affect the flow of prana in the body.
Mudra: hobyo-in/ongyo-in "seal of the hidden form, mudra which conceals its form" Note: The mudra hobyo-in is associated with Fugen Bosatsu (Samantabhadra) in the Kongo-Kai mandara, as well as Ichiji Kinrin. Whereas the mudra ongyo-in is a mudra associated with Marishi-Ten . mantra: On a ra ba sha nō sowaka [All hail! A ra pa ca na. o'ṃ)
A commonly seen mudra in paintings and figurines featuring Vasudhara is the varada mudra, also known as the charity mudra, which symbolizes the “pouring forth of divine blessings.” [9] In her 2 armed one faced form, she has a golden body, representing the earth element, Ratnasambhava in her crown, sometimes 2 eyes or 3 eyes, if with 3 eyes ...
This mudra has a great number of variants in Mahāyāna Buddhism, and is also known as Prajñāliṅganabhinaya and Vyākhyāna mudrā ("mudra of explanation"). The Vitarka mudrā is thought to symbolize teaching and instruction and is associated with significant moments in the Buddha's life, such as his first discourse on the Four Noble Truths ...
In Thailand and Laos, this mudra is associated with the Walking Buddha, often shown having both hands making a double abhayamudra that is uniform. Statue of Vishnu, Berlin, left hand depicting the abhayamudra. The abhayamudra was probably used before the onset of Buddhism as a symbol of good intentions proposing friendship when approaching ...
A scroll painting of Saraha, surrounded by other Mahāsiddhas, probably 18th century and now in the British Museum. The usage and meaning of the term mahāmudrā evolved over the course of hundreds of years of Indian and Tibetan history, and as a result, the term may refer variously to "a ritual hand-gesture, one of a sequence of 'seals' in Tantric practice, the nature of reality as emptiness ...
[4] [5] The Anjali mudra differs from Namaste by being a non-verbal gesture, while Namaste can be said with or without any gesture. According to Bhaumik and Govil, the Anjali mudra and Namaskara mudra are very similar but have subtle differences. The back of the thumbs in Anjali mudra face the chest and are perpendicular to other fingers, while ...