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Humanist and feminist writing. Laura Cereta (September 1469 – 1499) was one of the most notable humanist and feminist writers of fifteenth-century Italy. Cereta was the first to put women’s issues and her friendships with women front and center in her work. Cereta wrote in Brescia, Verona, and Venice in 1488–92, known for her writing in ...
Pinacoteca di Brera, Milan. The Marriage of the Virgin, also known as Lo Sposalizio, is an oil painting by the Italian High Renaissance artist Raphael. Completed in 1504 for the Franciscan church of San Francesco, Città di Castello, the painting depicts a marriage ceremony between Mary and Joseph. It changed hands several times before settling ...
The book is a Gothic manuscript and book of hours, illuminated by the Master of Catherine of Cleves, and at least two assistants, in Utrecht c. 1440. The book is now bound in two volumes: M 945 = Vellum, 193 leaves, 7½ × 5⅛ inches (192 × 130 mm), with 63 miniatures, bound in 19th-century red velvet. [6]
Courtship and marriage in Tudor England. Courtship and marriage in Tudor England (1485–1603) marked the legal rite of passage [1] for individuals as it was considered the transition from youth to adulthood. It was an affair that often involved not only the man and woman in courtship but their parents and families as well.
In 12th-century Salerno, Italy, Trota, a woman, wrote one of the Trotula texts on diseases of women. [30] Her text, Treatments for Women, addressed events in childbirth that called for medical attention. The book was a compilation of three original texts and quickly became the basis for the medical treatment of women.
The Western European marriage pattern is a family and demographic pattern that is marked by comparatively late marriage (in the middle twenties), especially for women, with a generally small age difference between the spouses, a significant proportion (up to a third) of people who remain unmarried, and the establishment of a neolocal household ...
Folio 15v: Christ on the Mount of Olives. The book was for centuries known as the "Vienna Hours of Charles the Bold", [4] [5] and thought to have been intended to mark the death of Charles the Bold, ruler of the Burgundian Netherlands, at the Battle of Nancy on 5 January 1477, and thus as a book of mourning, intended for either his widow, Margaret of York, or his daughter, Mary.
Barna da Siena, c. 1340. Although Saint Catherine of Alexandria was supposed to have lived in the third and fourth centuries, the story of her vision appears first to be found in literature after 1337, over a thousand years after the traditional dating of her death, and ten years before Catherine of Siena was born. [3]
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