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Pérotin, "Alleluia nativitas", in the third rhythmic mode. In medieval music, the rhythmic modes were set patterns of long and short durations (or rhythms).The value of each note is not determined by the form of the written note (as is the case with more recent European musical notation), but rather by its position within a group of notes written as a single figure called a ligature, and by ...
Medieval music encompasses the sacred and secular music of Western Europe during the Middle Ages, [1] from approximately the 6th to 15th centuries. It is the first and longest major era of Western classical music and is followed by the Renaissance music; the two eras comprise what musicologists generally term as early music, preceding the common practice period.
The expressions "rhythmic mode" and "modal rhythm", however, are modern names applied to the medieval concept. Just what relationship may have existed with a metric foot in ancient or medieval poetry or poetic theory is not entirely clear. [2] Rhythmic modes were first used by the Notre-Dame school according to a classification numbered from 1 ...
Mensural notation is the musical notation system used for polyphonic European vocal music from the late 13th century until the early 17th century. The term "mensural" refers to the ability of this system to describe precisely measured rhythmic durations in terms of numerical proportions between note values. Its modern name is inspired by the ...
The word neume entered the English language in the Middle English forms newme, nevme, neme in the 15th century, from the Middle French neume, in turn from either medieval Latin pneuma or neuma, the former either from ancient Greek πνεῦμα pneuma ('breath') or νεῦμα neuma ("sign"), [4] [5] or else directly from Greek as a corruption or an adaptation of the former.
The authentic modes were the odd-numbered modes 1, 3, 5, 7, and this distinction was extended to the Aeolian and Ionian modes when they were added to the original eight Gregorian modes in 1547 by Glareanus in his Dodecachordon. [3] The final of an authentic mode is the tonic, though the range of modes 1, 2, and 7 may occasionally descend one ...
Ars antiqua, also called ars veterum or ars vetus, is a term used by modern scholars to refer to the Medieval music of Europe during the High Middle Ages, between approximately 1170 and 1310. This covers the period of the Notre-Dame school of polyphony (the use of multiple, simultaneous, independent melodic lines), and the subsequent years ...
In the Middle Ages the term modus was used to describe both intervals and rhythm. Modal rhythm was an essential feature of the modal notation system of the Notre-Dame school at the turn of the 12th century. In the mensural notation that emerged later, modus specifies the subdivision of the longa.
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