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The historical accuracy of many of the aspects of the John Henry legend are subject to debate. [1] [2] According to researcher Scott Reynolds Nelson, the actual John Henry was born in 1848 in New Jersey and died of silicosis, a complication of his workplace, and not due to proper exhaustion of work.
The Magical Negro is a supporting stock character in fiction who, by means of special insight or powers often of a supernatural or quasi-mystical nature, helps the white protagonist get out of trouble.
Tristan meets Brer Rabbit, John Henry, and winged women Miss Rose and Miss Sarah. Tristan learns that when he punched the Bottle Tree, he opened a rip in Alke and released a haint that made the Fetterlings stronger, and they are looking for him. Brer Rabbit instructs Tristan to close the rip with the help of Anansi. Tristan, Gum Baby, Ayanna ...
J. R. R. Tolkien's dark lord Melkor has been compared to Lucifer, as he is a powerful spirit-being who rebels against his creator. [1] Illustration of Lucifer devouring human souls for Dante Alighieri's Inferno, canto 33. Pietro di Piasi, Venice, 1491. Evil is ever-present in J. R. R. Tolkien's fictional realm of Middle-earth.
Lord of the Flies was awarded a place on both lists of Modern Library 100 Best Novels, reaching number 41 on the editor's list and 25 on the reader's list. [24] In 2003, Lord of the Flies was listed at number 70 on the BBC's survey The Big Read, [25] and in 2005 it was chosen by Time magazine as one of the 100 best English-language novels since ...
Dictionnaire Infernal illustration of Bael The sigil of Bael. Bael (Ba’al or Baal) is a demon described in demonological grimoires such as The Lesser Key of Solomon and the Pseudomonarchia Daemonum (where he is the first spirit mentioned) and also in the Dictionnaire Infernal.
Rabbinic tradition equates BaĘżal Berith with Beelzebub, "the lord of flies," the god of Philistine Ekron (2 Kings 1:2). [12] He was worshipped in the shape of a fly; and Jewish tradition states that so addicted were the Jews to his cult that they would carry an image of him in their pockets, producing it, and kissing it from time to time.
John Simon of The New Leader saw Magnet of Doom at the New York Film Festival. He dismissed the film as 'more than usually trashy Simenon turned into a would-be thriller, with Belmondo perpetuating his irresistible, smilingly evil, stereotyped self'. [9] Melville's depiction of America was seen as anachronistic. [10]