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The painting has the dimensions of 76 by 70 cm. It bears the inventory number WRM 2752 (WRM = Wallraf-Richartz-Museum). Kirchner's signature is on the top left: EL Kirchner II. Kirchner's half-nude painting shows Doris Große, known as Dodo, with whom he was together from 1909 to 1911, when he moved from Dresden to Berlin. Doris Große was a ...
The Alte Pinakothek (German: [ˈʔaltə pinakoˈteːk] ⓘ, Old Pinakothek) is an art museum located in the Kunstareal area in Munich, Germany. [1] It is one of the oldest galleries in the world and houses a significant collection of Old Master paintings.
This is a list of women artists who were born in Germany or whose artworks are closely associated with that country. This is a dynamic list and may never be able to satisfy particular standards for completeness.
Gallery of Beauties The Nymphenburg Palace seen from its park. The Gallery of Beauties (German: Schönheitengalerie) is a collection of 38 portraits of the most beautiful women from the nobility and bourgeoisie of Munich, Germany, gathered by King Ludwig I of Bavaria in the south pavilion of his Nymphenburg Palace. [1]
The Seven Ages of Woman is a painting (1544) by the German painter Hans Baldung, called Grien, executed in oil paint on linden wood. [1] It is part of the collection of the Museum der bildenden Künste in Leipzig, Germany.
Johannes Vermeer, Woman with a Pearl Necklace. The Gemäldegalerie (German pronunciation: [ɡəˈmɛːldəɡaləˌʁiː], Painting Gallery) is an art museum in Berlin, Germany, and the museum where the main selection of paintings belonging to the Berlin State Museums (Staatliche Museen zu Berlin) is displayed. It was first opened in 1830, and ...
Alte Pinakothek Museum is home to over 700 masterpieces by Botticelli, Leonardo da Vinci, Rembrandt— in one of the most art-filled cities in the world. This German Museum Features a 'Murderer's ...
The collection features works covering the artist's entire career, from the early pictures of her training years in Berlin to the paintings she created in Paris in 1906-07, in which she most fully realised her artistic vision. In 1935 local Nazis attacked the art and architecture of the Paula Modersohn-Becker Museum. [1]