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He is the Taiqing (太清, lit. the Grand Pure One) which is one of the Three Pure Ones, the highest immortals of Taoism. Laozi is regarded to be a manifestation of Daode Tianzun who authored the classic Tao Te Ching. He is traditionally regarded as the founder of Taoism, intimately connected with "primordial" (or "original") Taoism.
Taiyi Zhenren is what the Investiture of the Gods calls him, and he is based on the deity Taiyi Jiuku Tianzun (太乙救苦天尊). [1] In orthodox Taoism, he is the deity of salvation for all sentient beings in the 10 directions, with a different incarnation for each direction, and can transform into other incarnations for any purpose.
Schools of Taoist thought developed around each of these deities. Taoist Alchemy was a large part of these schools, as each of the Three Pure Ones represented one of the three essential fields of the body: jing, qi and shen. The congregation of all three Pure Ones resulted in the return to Tao. The first Pure One is universal or heavenly chi.
In some sects of Taoism, Chinese Buddhism, Confucianism, and Chinese folk religion, it is held that he then became an immortal hermit. [2] Certain Taoist devotees held that the Tao Te Ching was the avatar – embodied as a book – of the god Laojun, one of the Three Pure Ones of the Taoist pantheon, though few philosophers believe this. [3]
Taoist music is the ceremonial music of Taoism. The importance of music in Taoist ceremony is demonstrated by revealing how central beliefs are reflected through elements of music such as instrumentation and rhythm. Expression of spiritual beliefs through music enables followers of Taoism to enhance their path to enlightenment.
Bagua diagram from Zhao Huiqian's (趙撝謙) Liushu benyi (六書本義, c. 1370s).. The Daodejing (also known as the Laozi after its purported author, terminus ante quem 3rd-century BCE) has traditionally been seen as the central and founding Taoist text, though historically, it is only one of the many different influences on Taoist thought, and at times, a marginal one at that. [12]
Sìmiànshén (四面神, "Four-Faced God"), but also a metaphor for "Ubiquitous God": The recent cult has its origin in the Thai transmission of the Hindu god Brahma, but it is also an epithet of the indigenous Chinese god Huangdi who, as the deity of the centre of the cosmos, is described in the Shizi as "Yellow Emperor with Four Faces ...
太上老君 Taishang Laojun was the Celestial Masters' main deity. [35] In the Southern dynasties 正一經 Zhengyi Jing was part of the religious canon of the Celestial Masters. [36] In the Tang and Sui Daoists reconciled the Zhengyi jing with the religious texts of the Lingbao. [37]