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"My Foolish Heart" is a popular song and jazz standard that was published in 1949. In the UK, the song reached No. 1 in the chart based on sales of sheet music, staying at the top spot for 11 weeks in 1950.
Keith Jarrett's Standards Trio - My Foolish Heart (2007, live) [17] Megan Mullally on her 2007 album Free Again! . [ 18 ] This version was also featured on the soundtrack to Fame (2009).
Michael Sutton of AllMusic wrote, "The music on Turn Back the Clock is generally upbeat synth pop, but the words are often sad. Although Johnny Hates Jazz offer no profound revelations about failed relationships or lost love, there is genuine emotion beneath the studio luster of "What Other Reason," "Different Seasons," "Don't Let It End This Way," and "Foolish Heart."".
My Foolish Heart is a live double album by American jazz pianist Keith Jarrett, recorded at the Montreux Jazz Festival in Switzerland on July 22, 2001 and released on ECM six years later in October 2007. The trio—Jarrett's "Standards Trio"—features rhythm section Gary Peacock and Jack DeJohnette. [1]
In April 1986, Datchler, Nocito and Hayes released the first Johnny Hates Jazz single, "Me and My Foolish Heart", on RAK Records. [11] It was not a commercial success, but gained substantial airplay and was Sounds magazine's record of the week. [citation needed] Datchler began writing new songs which included "Shattered Dreams".
"My Foolish Heart" Sissel Kyrkjebø Ned Washington Victor Young: Reflections I: 2019 [82] "My Romance" Sissel Kyrkjebø Lorenz Hart Richard Rodgers: Reflections IV: 2020 [83] "My Tribute (To God Be The Glory)" (vers. 1) Sissel Kyrkjebø Oslo Gospel Choir: Andrae Crouch: Live: 1990 [84] "My Tribute (To God Be The Glory)" (vers. 2) Sissel Kyrkjebø
Download as PDF; Printable version; ... My Foolish Heart: 1988: Ned Washington, ... You Will Be My Music: 1973: Joe Raposo: You'd Be So Easy to Love:
Towner had long wanted to record the jazz standard, "My Foolish Heart", stating in an interview with National Public Radio "It's one of the first tunes I'd heard that combination of Bill Evans, Scott LaFaro and Paul Motian play. So that tune had a lot of meaning for me and was very important for me starting out as a jazz musician."
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