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Deface the Music is the fifth studio album by the band Utopia. The concept of the album was to pay homage to the Beatles and create songs which sounded very similar to the Fab Four's tunes throughout the various stages of their career. Their song "Take It Home", replete with guitar riff, is their homage to "Day Tripper". The first track, "I ...
Utopia is the second of two self-titled albums by the rock group Utopia (the other being Todd Rundgren's Utopia). It was released in 1982 (see 1982 in music). It was also their only album for Network Records. During the composing phase of this album, Kasim Sulton had left to pursue a solo career, and Doug Howard from the band Touch was brought ...
Swing to the Right is the sixth studio album by Utopia. It followed the Beatles parody-homage Deface the Music. Swing to the Right moves into hard-edged commentary on corporate raiders, warmongers, political villains, and despicable music industry moguls. There is little in the way of progressive rock on this album, which is limited to its ...
Utopia is the fourth studio album by American rapper Travis Scott.It was released through Cactus Jack and Epic Records on July 28, 2023. The album features guest appearances from Teezo Touchdown, Drake, Playboi Carti, Beyoncé, Rob49, 21 Savage, the Weeknd, Swae Lee, Yung Lean, Dave Chappelle, Young Thug, Westside Gunn, Kid Cudi, Bad Bunny, SZA, Future, and James Blake.
Some album covers prove controversial due to their titles alone. When the Sex Pistols released Never Mind The Bollocks…in 1977, a record shop owner in Nottingham named Chris Searle was arrested ...
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It should only contain pages that are Utopia (band) albums or lists of Utopia (band) albums, as well as subcategories containing those things (themselves set categories). Topics about Utopia (band) albums in general should be placed in relevant topic categories .
POV is the ninth and final studio album by the rock group Utopia, released in January 1985. [2] It peaked at #161 on the Billboard 200 charts. Except for a live 1992 reunion album (and compilations), this was the last album released by Utopia, and Rundgren's final studio work under the Utopia banner.