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"Louise" is a song written by Leo Robin and Richard A. Whiting for the 1929 film Innocents of Paris, where it was performed by Maurice Chevalier. [2] [3] The song was Chevalier's first hit in the United States, and was among the best selling records for 10 weeks in the summer of 1929. [4]
"I'll Always Be In Love With You" is a 1929 popular song written by Herman Ruby, Bud Green, and Sam H. Stept for the film Syncopation. The song soon became a hit, with a recording in that year by Fred Waring and His Pennsylvanians charting for 8 weeks, peaking at No. 3. [1]
The following songs achieved the highest positions in Joel Whitburn's Pop Memories 1890-1954 and record sales reported on the "Discography of American Historical Recordings" website during 1929: [2] Numerical rankings are approximate, they are only used as a frame of reference.
Pages in category "1929 songs" The following 102 pages are in this category, out of 102 total. This list may not reflect recent changes. A. Ain't Misbehavin' (song)
"Rockin' Chair is a 1929 popular song with lyrics and music composed by Hoagy Carmichael. Musically it is unconventional, as after the B section when most popular songs return to A, this song has an A-B-C-A 1 structure. Carmichael recorded the song in 1929, 1930, and 1956. Mildred Bailey made it famous by using it as her theme song. [1]
"Waiting for a Train" is a song written and recorded by Jimmie Rodgers and released by the Victor Talking Machine Company as the flipside of "Blue Yodel No. 4" in February 1929. The song originated in the nineteenth century in England. It later appeared in several song books, with variations on the lyrics throughout the years.
13. "Hound Dog," Elvis Presley Elvis made dozens of classic songs in his career, but when it comes to pure catchy hook heaven, the repeated line "You ain't nothin' but a hound dog, cryin' all the ...
On the show's opening night in Boston on June 25, 1929, Keeler's husband and popular singer Al Jolson suddenly stood up from his seat in the third row and sang a chorus of the song, much to the surprise of the audience and Gershwin himself. [3] Jolson recorded the song a few days later on July 6, 1929, and his rendition rose to number nine on ...