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Poetic diction is the term used to refer to the linguistic style, the vocabulary, and the metaphors used in the writing of poetry.In the Western tradition, all these elements were thought of as properly different in poetry and prose up to the time of the Romantic revolution, when William Wordsworth challenged the distinction in his Romantic manifesto, the Preface to the second (1800) edition ...
Metaphor may also be used for any rhetorical figures of speech that achieve their effects via association, comparison or resemblance. In this broader sense, antithesis, hyperbole, metonymy and simile would all be considered types of metaphor. Aristotle used both this sense and the regular, current sense above. [1]
With an inexact metaphor, however, a metaphier might have associated attributes or nuances – its paraphiers – that enrich the metaphor because they "project back" to the metaphrand, potentially creating new ideas – the paraphrands – associated thereafter with the metaphrand or even leading to a new metaphor. For example, in the metaphor ...
‘You Belong With Me’ (Fearless) “She’s cheer captain / and I’m on the bleachers.” This “You Belong With Me” lyric, as well as its football-coded music video, says it all.
In poetry, they act as non-verbal tools of poetic expression. A form of artistic choice, the poet's choice of punctuation is central to our understanding of poetic meaning because of its ability to influence prosody. The unorthodox use of punctuation increases the expressive complexity of poems, or may be used to align poetic metres.
An extended metaphor, also known as a conceit or sustained metaphor, is the use of a single metaphor or analogy at length in a work of literature. It differs from a mere metaphor in its length, and in having more than one single point of contact between the object described (the so-called tenor) and the comparison used to describe it (the vehicle).
Metaphors We Live By is a book by George Lakoff and Mark Johnson published in 1980. [ 1 ] [ 2 ] The book suggests metaphor is a tool that enables people to use what they know about their direct physical and social experiences to understand more abstract things like work, time, mental activity and feelings.
The Metarealists, namely metaphysical realists, in the 1970s–90s unofficial postmodern Soviet and Russian poetry, who all used complex metaphors which they called meta-metaphors. Their representatives are Konstantin Kedrov, Viktor Krivulin , Elena Katsyuba, Ivan Zhdanov, Elena Shvarts , Vladimir Aristov, Aleksandr Yeryomenko, Yuri Arabov ...