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Nashville notation or Nashville Number System [2] is a method of notating chord changes using numbers based on scale degrees, in lieu of chord names. For example, in the key of C-Major, the chord D-minor-seventh can be written as 2− 7, 2m 7, or ii 7.
In Western music, a minor chord "sounds darker than a major chord", giving off a sense of sadness or somber feeling. [1] Some major chords with additional notes, such as the major seventh chord, are also called major chords. Major seventh chords are used in jazz and occasionally in rock music.
"Without Love (There is Nothing)" is a song written by Danny Small and originally recorded by Clyde McPhatter in 1957. McPhatter's version peaked at number six on the R&B Best Seller chart and number nineteen on Billboard Hot 100 .
In Prelude No. 2, the cycle of keys appears twice; in the first cycle, the number of bars per key ranges from 1 to 8; in the second half, after C every new key signature lasts for only one bar; the cycle concludes with 15 bars of C major. There is no evidence that Beethoven intended to write similar sets in the 12 minor keys.
Describing "1+1" as "[having] no interest in [Beyoncé'ss] typical pursuit of forward-thinking, energetic fare, preferring to throw the emphasis on her radio-destroying vocal chords", David Amidon of PopMatters wrote that the song "is the best result of this, finally providing Beyoncé a song that can compete with the favorites of this ...
A typical sequence of a jazz or rock song in the key of C major might indicate a chord progression such as C – Am – Dm – G 7. This chord progression instructs the performer to play, in sequence, a C major triad, an A minor chord, a D minor chord, and a G dominant seventh chord.
Minor chords are noted with a dash after the number or a lowercase m; in the key of D, 1 is D major, and 4- or 4m would be G minor. Often in the NNS, songs in minor keys will be written in the 6- of the relative major key. So if the song was in G minor, the key would be listed as B ♭ major, and G minor chords would appear as 6-.
In connection to Beethoven's Kreutzer Sonata, Peter Cropper said that A major "is the fullest sounding key for the violin." [2] According to Christian Friedrich Daniel Schubart, A major is a key suitable for "declarations of innocent love, ... hope of seeing one's beloved again when parting; youthful cheerfulness and trust in God." [3] For ...