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Some of the most expensive are French and German 18th century examples, and the record auction price for a German box is £789,250 (about US$1.3 million), bid in 2003 at Christie's in London. Modern snuff boxes are made from a variety of woods, pewter and even plastic and are manufactured in surprising numbers due, largely, to snuff's ...
The popular device best known today as a "music box" developed from musical snuff boxes of the 18th century and were originally called carillons à musique (French for "chimes of music"). Some of the more complex boxes also contain a tiny drum and/or bells in addition to the metal comb.
Writing lacquer box with Irises at Yatsuhashi, by Ogata Kōrin, Edo period (National Treasure) Inro in maki-e lacquer, Edo period, 18th century. Lacquerware (漆器, shikki) is a Japanese craft with a wide range of fine and decorative arts, as lacquer has been used in urushi-e, prints, and on a wide variety of objects from Buddha statues to bento boxes for food.
Limoges porcelain boxes were first created in the mid-18th century after Jacques Turgot, Finance Minister of King Louis XVI, gave a Royal edict to the city of Limoges, France the exclusive right to produce Royal Limoges porcelain for the Kingdom of France. The first Limoges trinket boxes were long narrow containers that were created for ...
Suzuri-bako (硯箱; "inkstone box") are a type of Japanese writing box. The boxes are traditionally made of lacquered wood and are used to hold writing implements. [ 1 ] Historically, the boxes were associated with calligraphy , and as such they were made using high-quality materials designed to safeguard porcelain inkstones ( suzuri ) from ...
Copper was probably the first metal mined and crafted by humans. [8] It was originally obtained as a native metal and later from the smelting of ores. Earliest estimates of the discovery of copper suggest around 9000 BC in the Middle East. It was one of the most important materials to humans throughout the Chalcolithic and Bronze Ages.
Limoges enamel was usually applied on a copper base, but also sometimes on silver or gold. [5] Preservation is often excellent due to the toughness of the material employed, [5] and the cheaper Limoges works on copper have survived at a far greater rate than courtly work on precious metals, which were nearly all recycled for their materials at some point.
French ormolu mantel clock (around 1800) by Julien Béliard (1758 – died after 1806), Paris.The clock case by Claude Galle (1758–1815) Ormolu (/ ˈ ɔːr m ə ˌ l uː /; from French or moulu 'ground/pounded gold') is the gilding technique of applying finely ground, high-carat gold–mercury amalgam to an object of bronze, and objects finished in this way.
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