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"Meredith backs line of products" by Patt Johnson, The Des Moines Register (June 10, 2003). "Home Interiors knows it's what's on the inside that counts" by Joanne Bockman, The Des Moines Register (February 10, 2005). "Home and Garden Party acquires Home Interiors and Gifts, Inc" by Steve Bandy, The Marshall News Messenger (December 19, 2008).
The book explores the relationship between pictures and poems, featuring images of the nearly 80 works from The Museum of Modern Art's collection, alongside text from prolific Black voices.
The company was founded as a housewares manufacturer in 1932 by Theodore Baumritter and his brother-in-law Nathan S. Ancell. They bought a bankrupt furniture factory in Beecher Falls, Vermont in 1936 and adopted the name "Ethan Allen" for its early-American furniture introduced in 1939, after the Vermont Revolutionary War leader Ethan Allen.
Herbert and Dorothy Vogel. Herbert Vogel (August 16, 1922 – July 22, 2012) and Dorothy Vogel (born 1935), once described as "proletarian art collectors," [1] worked as civil servants in New York City for more than a half-century while amassing what has been called one of the most important post-1960s art collections in the United States, [2] mostly of minimalist and conceptual art. [3]
In her 2017 solo exhibition "Mentors, Muses, and Celebrities" at the Contemporary Art Museum St. Louis (CAM), [18] Thomas created multi-media installations that centered black women in the narrative-arcs of their own stories. According to art critic Rikki Byrd: "Positioning black women — artists, actresses, characters, and her own family ...
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Robert Scott Duncanson, Landscape with Rainbow c. 1859, Hudson River School, Smithsonian American Art Museum, Washington, DC.. This list of African-American visual artists is a list that includes dates of birth and death of historically recognized African-American fine artists known for the creation of artworks that are primarily visual in nature, including traditional media such as painting ...
The view of decoration as a 'lesser art' was formally challenged in the 1970s by writers and art historians like Amy Goldin [2] and Anne Swartz. [3] The argument for a singular narrative in art had lost traction by the close of the 20th century through post-modernist irony and increasing curatorial interest in street art and in ethnic ...
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