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The Norfolk Jubilee Quartet's version was the 35th "race record" (records produced by racial minorities) by Paramount Records, and it was a commercial success. [8] The Selah Jubilee Singers produced a recording of the song in 1942 in a style consistent with their earlier barbershop-style songs; they moved to the jubilee style and the 1942 ...
The New Testament uses a number of athletic metaphors in discussing Christianity, especially in the Pauline epistles and the Epistle to the Hebrews.Such metaphors also appear in the writings of contemporary philosophers, such as Epictetus and Philo, [2] drawing on the tradition of the Olympic Games; [3] this may have influenced New Testament use of the imagery.
Verse 108 is recited prior to the shofar blowing on Rosh Hashanah. [19] Verse 122 is recited prior to the shofar blowing on Rosh Hashanah. [19] Verse 142 is part of Uva Letzion [23] and Tzidkatcha. [24] Parts of verses 153–54 comprise the blessing Re'eh of the weekday Amidah. [25] Verse 160 is recited prior to the shofar blowing on Rosh ...
For my brethren and companions' sakes : I will wish thee prosperity. Yea, because of the house of the Lord our God : I will seek to do thee good. The selected verses (verses 4, 5, 8 and 9 are omitted) form a prayer for the peace and prosperity of Jerusalem , and its use in the coronation service clearly draws a parallel between Jerusalem and ...
The Lord said unto my Lord, Sit thou at my right hand, until I make thine enemies thy footstool. The Lord shall send the rod of thy strength out of Zion: rule thou in the midst of thine enemies. Thy people shall be willing in the day of thy power, in the beauties of holiness from the womb of the morning: thou hast the dew of thy youth.
The title is sometimes given as "Take Your Burden to the Lord and Leave It There" or as "Take Your Burden to the Lord" or as "Take Your Burden", words taken from the song's refrain; the plurals "burdens" and "them" are sometimes used, and "God" instead of "the Lord": [3]
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"10,000 Reasons (Bless the Lord)" is a song by the English worship singer-songwriter Matt Redman from his tenth album of the same name (2011). He wrote it with the Swedish singer Jonas Myrin . [ 1 ] The track was subsequently included on a number of compilations, covered by other artists and included as congregational worship music in English ...