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In 1950, Spanish American novelists were tolerated but marginal in the literary landscape, with Paris and New York representing the center of the literary world; by 1975 they were celebrated as central figures. As well as being a publishing phenomenon, the Boom introduced a series of novel aesthetic and stylistic features to world literature.
Chonga is a Spanish-derived term used especially in South Florida, often to indicate a working-class, sexually liberated, very sassy, and emotionally expressive young woman. Chongas are also a distinct subculture, believed to have developed in Miami in the late 20th century. Members are typically young, working-class Hispanic women.
The rest of 19th-century Spanish art followed European trends, generally at a conservative pace, until the Catalan movement of Modernisme, which initially was more a form of Art Nouveau. Picasso dominates Spanish Modernism in the usual English sense, but Juan Gris, Salvador Dalí and Joan Miró are other leading figures.
Lectures on Aesthetics (LA; German: Vorlesungen über die Ästhetik, VÄ) is a compilation of notes from university lectures on aesthetics given by Georg Wilhelm Friedrich Hegel in Heidelberg in 1818 and in Berlin in 1820/21, 1823, 1826 and 1828/29.
A calavera (Spanish – pronounced [kalaˈβeɾa] for "skull"), in the context of the Day of the Dead, is a representation of a human skull or skeleton. The term is often applied to edible or decorative skulls made (usually with molds) from either sugar (called Alfeñiques ) or clay, used in the Mexican celebration of the Day of the Dead ...
Rasquachismo is rooted in the term rasquache, which is the English form of the Spanish term rascuache, [7] of Nahuatl origin. [8] The Spanish term has negative connotations in Mexico and Latin America, since it is used to describe anything lower class or impoverished. [8] In this context, rasquache is used to mean "ghetto."
In the Baroque, the arts converged to create a total work of art, with a theatrical aesthetic, scenography, a mise-en-scène that highlighted the splendor of the dominant power (Church or State). The interaction of all the arts expressed the use of visual language as a means of mass communication, embodied in a dynamic conception of nature and ...
This is the most estimable attention to aesthetic impact section. On the two abacus terminals holds a short frieze with the inscription in English the name of the school. Below is the date with the year 1916. [3] The construction is of two floors and irregular masonry. [3] It consists of two large horizontal lateral "masses" and a central ...