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The poem does not have a deep, hidden, symbolic meaning. Rather, it is simply pleasurable to read, say, and hear. Critical terminology becomes useful when one attempts to account for why the language is pleasurable, and how Byron achieved this effect. The lines are not simply rhythmic: the rhythm is regular within a line, and is the same for ...
Poetic Diction is a style of writing in poetry which encompasses vocabulary, phrasing, and grammatical usage. Along with syntax, poetic diction functions in the setting the tone, mood, and atmosphere of a poem to convey the poet's intention. Poetic devices shape a poem and its meanings.
Furthering this statement into a detailed analysis of the poem, in line one, "being your slave what should I do but tend"; Shakespeare is referring to himself as a slave who serves his master. He continues throughout Sonnet 57 to emphasize that he is devoted to his master.
Rhythmical language in poetry is one of the ways we can see the tendency of poems towards a high degree of organization — there tends to be far more emphasis on rhythm in poetry than in prose. Verse, a specialized form of rhythm in language, is one of the elements that, when related to other elements in a poem, combines to form poetry.
Through Schoenfeldt's literary research, he reveals the interaction between "flesh and thought" during Shakespeare's time period. [14] The dynamic that Shakespeare plays with in the "feeling" and the "form" of the sonnet portrays a "feeling in the form". He uses both the physical form and symbolic meaning of the sonnet art form. [15] "
The poem, described as a "drama of literary anguish", is a dramatic interior monologue of an urban man stricken with feelings of isolation and an incapability for decisive action that is said "to epitomize [the] frustration and impotence of the modern individual" and "represent thwarted desires and modern disillusionment".
Henry Charles Beeching discounts any clear biographical clue in the poem, arguing that it is so unrelated to those next it in the sequence that it must be read apart. Sonnet 77, together with the sonnet that precedes it, and the sonnet that follows it form a group, in which the poet's thoughts turn to the act of writing.
The poem is an elegy in name but not in form; it employs a style similar to that of contemporary odes, but it embodies a meditation on death, and remembrance after death. The poem argues that the remembrance can be good and bad, and the narrator finds comfort in pondering the lives of the obscure rustics buried in the churchyard.