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Religious images in Christian theology have a role within the liturgical and devotional life of adherents of certain Christian denominations. The use of religious images has often been a contentious issue in Christian history. Concern over idolatry is the driving force behind the various traditions of aniconism in Christianity.
Halo (religious iconography) A halo (from Ancient Greek ἅλως (hálōs) 'threshing floor, disk'; [1][2] also called a nimbus, aureole, glory, or gloriole (Latin: gloriola, lit. 'little glory') is a crown of light rays, circle or disk of light [3] that surrounds a person in works of art. The halo occurs in the iconography of many religions ...
The Healing of the Paralytic – one of the oldest known depictions of Jesus, [ 18 ] from the Syrian city of Dura Europos, dating from about 235. Initially Jesus was represented indirectly by pictogram symbols such as the ichthys (fish), the peacock, or an anchor (the Labarum or Chi-Rho was a later development).
JSTOR 750966 (Contains descriptions and photos of most known surviving 13th-century diagrams, including experimental attempts to use the basic structure of the diagram for other purposes) "Church Symbolism: An Explanation of the more Important Symbols of the Old and New Testament, the Primitive, the Mediaeval and the Modern Church" by Frederick ...
An icon (from Ancient Greek εἰκών (eikṓn) 'image, resemblance') is a religious work of art, most commonly a painting, in the cultures of the Eastern Orthodox, Oriental Orthodox, and Catholic churches. The most common subjects include Jesus, Mary, saints, and angels. Although especially associated with portrait-style images concentrating ...
A. File:ACPNG crest.jpg; File:Anglican Church in Aotearoa, New Zealand and Polynesia logo.gif; File:Anglican Church of Kenya logo.gif; File:Anglican Church of ...
Christ in the winepress or the mystical winepress[1] is a motif in Christian iconography showing Christ standing in a winepress, where Christ himself becomes the grapes in the press. [2] It derives from the interpretation by Augustine and other early theologians of a group of passages in the Bible and is found as a visual image in Christian art ...
Raphael 's last painting, "Transfiguration of Jesus", is a masterpiece that reflects his mastery of Renaissance painting techniques. However, it is also greatly influenced by the Byzantine style of art, particularly in terms of its use of color and perspective. In Byzantine art, color was used to convey spiritual and emotional meaning.
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