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The pillarbox effect occurs in widescreen video displays when black bars (mattes or masking) are placed on the sides of the image. It becomes necessary when film or video that was not originally designed for widescreen is shown on a widescreen display, or a narrower widescreen image is displayed within a wider aspect ratio , such as a 16:9 ...
Final Cut Pro can show two overlay rectangles in both its Viewer and Canvas; the inner rectangle is the title-safe area and the outer rectangle is the action-safe area. [ 5 ] In the illustration, the green area is referred to as the "title-safe" area (note that these colors are for illustration only and do not appear on the television screens).
This is the proper mode to display anamorphic video. If used for standard aspect ratio video, everything on the screen will appear wider than normal. Contrast this with anamorphic video displayed without processing on a 4:3 display, in which people on the screen will appear taller than normal. This is also known as the 16:9 mode.
4:3 Image: Full Frame in 4:3 frame, Pillarbox in 16:9 frame. 10 1010 16:9 Image: Letterbox in 4:3 frame, Full Frame in 16:9 frame. 11 1011 14:9 Pillarbox/Letterbox image. 12 1100 reserved: 13 1101 4:3 with shoot and protect 14:9 centre. The term "shoot and protect" is not explained in the standard, but means that the areas above and below the ...
On a widescreen television set, a 1.78:1 image fills the screen; however, 21:9 aspect ratio films are letter-boxed with narrow mattes. Because the 1.85:1 aspect ratio does not match the 1.78:1 aspect ratio of widescreen video, slight letter-boxing occurs.
This aspect ratio was chosen as the geometric mean between 4:3 and 2.35:1, an average of the various aspect ratios used in film. [3] While 16:9 is well-suited for modern HDTV broadcasts , older 4:3 video has to be either padded with bars on the left and right side (pillarboxed), cropped or stretched, while movies shot with wider aspect ratios ...
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