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Transfer printing enabled the high quality of representation that had been developed in painting on porcelain to be done far more cheaply, in the process making large numbers of painters redundant. Initially, it was also mostly used on porcelain, but after a few years it was also used on the new high-quality earthenwares that English potters ...
Small cup with the "Five Treasures", Chenghua reign mark, 2.9 × 7 cm, PDF.767. Doucai (Chinese: 斗彩; Wade–Giles: tou-ts'ai) is a technique in painting Chinese porcelain, where parts of the design, and some outlines of the rest, are painted in underglaze blue, and the piece is then glazed and fired.
Crownlays are typically used in place of traditional post and core restorations. Post and core buildups are essentially rods of restorative material made out of titanium, stainless steel or resin that glean extra surface area against the internal walls of root canal-treated teeth when there is little to no teeth left above the gumline to hold a normal crown or onlay in place.
Sgraffito on walls has been used in Europe since classical times. It was popularized in Italy in the 15th and 16th centuries [2] and can be found in African art. In combination with ornamental decoration, these techniques formed an alternative to the prevailing painting of walls.
Vitreous enamel, also called porcelain enamel, is a material made by fusing powdered glass to a substrate by firing, usually between 750 and 850 °C (1,380 and 1,560 °F). The powder melts, flows, and then hardens to a smooth, durable vitreous coating.
Overglaze decoration, overglaze enamelling, or on-glaze decoration, is a method of decorating pottery, most often porcelain, where the coloured decoration is applied on top of the already fired and glazed surface, and then fixed in a second firing at a relatively low temperature, often in a muffle kiln. It is often described as producing ...
China painting, or porcelain painting is the decoration of glazed porcelain objects such as plates, bowls, vases or statues. The body of the object may be hard-paste porcelain , developed in China in the 7th or 8th century, or soft-paste porcelain (often bone china ), developed in 18th-century Europe.
Preparation of inlays are with close to parallel walls and a key on the occlusal surface- this is sometimes sufficient for retention purposes so adhesive resin luting cements may not be needed. [40] Ceramic inlays can also be cured with chemically cured resin composite or dual cured resin composite.
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