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During the Renaissance, poetry became partitioned into culteranismo and conceptismo, which essentially became rivals. Culteranismo used bleak language and hyperbaton. These works largely included neologisms and mythological topics. Such characteristics made this form of poetry highly complex, making comprehension difficult.
Spanish literature of the Middle Ages concludes with La Celestina by Fernando de Rojas. Important Renaissance themes are poetry, with Garcilaso de la Vega and Juan Boscán; religious literature, with Fray Luis de León, San Juan de la Cruz, and Santa Teresa de Jesús; and prose, with the anonymous El Lazarillo de Tormes. Among the principal ...
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Modern lyric poetry is a formal type of poetry which expresses personal emotions or feelings, typically spoken in the first person. [1] The term for both modern lyric poetry and modern song lyrics derives from a form of Ancient Greek literature , the Greek lyric , which was defined by its musical accompaniment, usually on an instrument known as ...
Unbalanced tag questions feature a positive statement with a positive tag, or a negative statement with a negative tag; it has been estimated that in normal conversation, as many as 40–50% [2] of tags are unbalanced. Unbalanced tag questions may be used for ironic or confrontational effects:
Latin American women have been a force of innovation in poetry in Spanish since the sonnets and romances by Sor Juana Inés de la Cruz in the 17th century. [ 25 ] [ 26 ] Sor Juana's poems spanned a range of forms and themes of the Spanish Golden Age , and her writings display inventiveness, wit, and a vast range of secular and theological ...
From 1480, there were printers active in Spain [1] The Spanish literary works of greatest prominence were published or translated in Italy, the center of early printing. [2] This was the case with Amadís de Gaula , The Celestina , Jail of Love , the poetic compositions of Jorge Manrique , Íñigo López de Mendoza, 1st Marquess of Santillana ...
The turn in poetry has gone by many names. In "The Poem in Countermotion", the final chapter of How Does a Poem Mean?, John Ciardi speaks thus of the "fulcrum" in relation to the non-sonnet poem "O western wind" (O Western Wind/when wilt thou blow/The small rain down can rain//Christ! my love were in my arms/and I in my bed again): 'The first two lines are a cry of anguish to the western wind ...