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Japanese swordsmithing is the labour-intensive bladesmithing process developed in Japan beginning in the sixth century for forging traditionally made bladed weapons [1] [2] including katana, wakizashi, tantō, yari, naginata, nagamaki, tachi, nodachi, ōdachi, kodachi, and ya.
Many of his forged tachi were later made into katana by cutting the tang (nakago). For this reason, his only existing works are katana, tantō, and wakizashi. [3] [4] Thus, cutting the tang of an old tachi and making it into a katana according to the popularity of the katana was called suriage, which was common in Japanese history. [14]
Many swords were confiscated and destroyed, and swordsmiths were not able to make a living. Since 1953, Japanese swordsmiths have been allowed to work, but with severe restrictions: swordsmiths must be licensed and serve a five-year apprenticeship, and only licensed swordsmiths are allowed to produce Japanese swords (nihonto), only two ...
In modern times the most commonly known type of Japanese sword is the Shinogi-Zukuri katana, which is a single-edged and usually curved sabre traditionally worn by samurai from the 15th century onwards. [15] Western historians have said that Japanese katana were among the finest cutting weapons in world military history, for their intended use.
Stylistic change since then is minimal, and his works are considered the beginning of the old sword (kotō) period, which existed until 1596, and produced the best-known Japanese swordsmiths. [17] According to sources Yasutsuna may have lived in the Daidō era (806–809), around 900; or more likely, was a contemporary of Sanjō Munechika and ...
Nagasone Kotetsu, rated as Saijo Ō Wazamono, was one of the most popular swordsmiths in the Edo period.A katana, Nabeshima Kotetsu. (owned by Nabeshima clan). Nagasone Kotetsu (長曾禰 虎徹, c. 1597 – June 24, 1678) (born Nagasone Okisato) was a Japanese swordmaker of the early Edo period.
Katana, length 66.4 cm, curvature 1.5 cm, bottom width 2.8 cm, shinogi-zukuri, iori-mune, and chū-kissaki nobi [4] (see also Glossary of Japanese swords). The front side contains a sign of Muramasa and a mantra sign myōhō renge kyō (妙法蓮華経) (a mantra from Namu Myōhō Renge Kyō or the Lotus Sutra of Nichiren Buddhism). [4]
His works are often compared with those of the other great Koto era (987-1596) swordsmiths including Sōshū Masamune, Toshiro Yoshimitsu, Go Yoshihiro, Bizen Nagamitsu, and Ike Muramasa. He was a son by blood or adoption [ 3 ] of Sōshū Masamune considered by many to be the most famous of the Sōshū masters.
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