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In the key of C major, these would be: D minor, E minor, F major, G major, A minor, and C minor. Despite being three sharps or flats away from the original key in the circle of fifths, parallel keys are also considered as closely related keys as the tonal center is the same, and this makes this key have an affinity with the original key.
D major is a major scale based on D, consisting of the pitches D, E, F ... String Quartet No. 7, D. 94; Piano Sonata No. 17, D 850 "Gasteiner" Felix Mendelssohn.
A lesser-known work in the key is the Moderato in E major, WN 56. Moritz Moszkowski wrote his Piano Concerto Op. 59 in E major. Antonín Dvořák wrote his Serenade for Strings Op. 22 in the key of E major. Charles-Valentin Alkan wrote Cello Sonata in E major, and so did Franz Xaver Wolfgang Mozart in his Op. 19.
The 'major' alteration is usually superfluous, as a key description missing an alteration is invariably assumed to be major. In the German notation scheme, a hyphen is added between the pitch and the alteration (D-Dur). In German, Dutch, and Lithuanian, the minor key signatures are written with a lower case letter (d-Moll, d klein, d kleine terts).
For example, F major and D minor both have one flat in their key signature at B♭; therefore, D minor is the relative minor of F major, and conversely F major is the relative major of D minor. The tonic of the relative minor is the sixth scale degree of the major scale, while the tonic of the relative major is the third degree of the minor ...
E-flat major was the second-flattest key Mozart used in his music. For him, E-flat major was associated with Freemasonry; "E-flat evoked stateliness and an almost religious character." [4] Edward Elgar wrote his Variation IX "Nimrod" from the Enigma Variations in E-flat major. Its strong, yet vulnerable character has led the piece to become a ...
His B major piano sonata, D 575, even uses a four-key exposition (B major, G major, E major, F-sharp major): this key scheme is literally transposed up a fourth for the recapitulation. The finale of his sixth symphony (D 589) is an even more extreme case: its exposition passes from C major to G major by way of A-flat major, F major, A major ...
For example, G major and D major have 4 chords in common: G, Bm, D, Em. This can be easily determined by a chart similar to the one below, which compares chord qualities. The I chord in G major—a G major chord—is also the IV chord in D major, so I in G major and IV in D major are aligned on the chart.