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In vocal music, contrafactum (or contrafact, pl. contrafacta) is "the substitution of one text for another without substantial change to the music". [1] The earliest known examples of this procedure (sometimes referred to as ''adaptation'') date back to the 9th century used in connection with Gregorian chant.
Pinched, plucked (i.e. in music for bowed strings, plucked with the fingers as opposed to played with the bow; compare arco, which is inserted to cancel a pizzicato instruction; in music for guitar, to mute the strings by resting the palm on the bridge, simulating the sound of pizz. of the bowed string instruments) plop
On the guitar, the musician dampens the strings with the palm of the hand and plucks with the thumb. Strictly speaking, the term dampened is correct for this effect in music; since to mute means to silence. Illustration of the apagados may be found in the work of the composer for Spanish guitar, Gerardo de Altona. [8]
In music, the dynamics of a piece are the variation in loudness between notes or phrases.Dynamics are indicated by specific musical notation, often in some detail.However, dynamics markings require interpretation by the performer depending on the musical context: a specific marking may correspond to a different volume between pieces or even sections of one piece.
Off-key is musical content that is not at the expected frequency or pitch period, either with respect to some absolute reference frequency, or in a ratiometric sense (i.e. through removal of exactly one degree of freedom, such as the frequency of a keynote), or pitch intervals not well-defined in the ratio of small whole numbers.
A guitarist performs a mixture of pull-offs, hammer-ons, and slides. A pull-off is performed on a string which is already vibrating; when the fretting finger is pulled off (exposing the string either as open or as stopped by another fretting finger "lower" on the same string, with "lower" meaning in a position that is lower in pitch) the note playing on the string changes to the new, longer ...
Legato on guitar is commonly associated with playing more notes within a beat than the stated timing, i.e., playing 5 (a quintuplet) or 7 (a septuplet) notes against a quarter-note instead of the usual even number or triplet. This gives the passage an unusual timing and when played slowly an unusual sound.
the nickname ("Acka Dacka") for AC/DC, used in the guitar riff for the band's 1977 song Whole Lotta Rosie. A, D, A, A, F (= A, L, A, I, N) for Jehan Alain, used by Maurice Duruflé in his Prélude et Fuge sur le nom d'Alain (op. 7) and derived on the French system but leaving H = B-natural and starting the second line with 'I'
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