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In 1760, Cabrera created The Virgin of the Apocalypse, which describes the chapter 12 of the Book of Revelation. [12] He is also known for his posthumous portrait of the seventeenth-century poet Sor Juana Inés de la Cruz. Cabrera is currently most famous for his casta paintings.
The Four Horsemen of the Apocalypse are depicted in the painting. Depicted from right to left are Conquest, War, Famine, and Death. Study. Four Horsemen of the Apocalypse (Russian: "Воины Апокалипсиса") is an 1887 painting by Russian artist Viktor Vasnetsov.
The Virgin of the Apocalypse, Museo Bello y González, Puebla. Villalpando's early works attest to the influence of Peter Paul Rubens; [3] however, as his style continued to develop, he moved away from the extremes of vivid coloring and excessive robustness to a more measured style, using a broad palette and incorporating more of the New World painting traditions. [3]
Category: Paintings based on the Book of Revelation. ... Four Horsemen of the Apocalypse (painting) G. The Great Day of His Wrath; The Great Red Dragon paintings; L.
Herrán Matorras' Virgin of El Panecillo (1976) on El Panecillo is a large replica of the sculpture. The Virgin of Quito (Spanish, La Virgen de Quito) — also known as the Virgin of the Apocalypse, Winged Virgin of Quito, Dancing Madonna, and Legarda's Virgin — is a wooden sculpture by the Quiteño artist Bernardo de Legarda (ca. 1700-1773) which has become the most representative example ...
You must provide copyright attribution in the edit summary accompanying your translation by providing an interlanguage link to the source of your translation. A model attribution edit summary is Content in this edit is translated from the existing Spanish Wikipedia article at [[:es:Virgen de El Panecillo]]; see its history for attribution.
The End of the World, commonly known as The Great Day of His Wrath, [1] is an 1851–1853 oil painting on canvas by the English painter John Martin. [2] Leopold Martin, John Martin's son, said that his father found the inspiration for this painting on a night journey through the Black Country.
Beatus is famous for his support of Asturian opposition to the doctrine of Adoptionism, proclaimed by the bishop of Toledo and declared by Asturias as heresy, [12] and it has been suggested that the manuscript reflects his orthodox stance against the doctrine. To the Asturians, Adoptionism was a form of compromise with the Islamic invaders and ...