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The Tiv believe they moved into their present location from the southeast of Africa. It is claimed [6] that the Tiv left their Bantu kin and wandered through southern, south-central and west-central Africa before returning to the savannah lands of West African Sudan via the River Congo and Cameroon Mountains and settled at Swem, the region adjoining Cameroon and Nigeria at the beginning of ...
The Tiv resented the Hausa control of the courts, political power and landed property...scarcely could the Tiv secure plots of land or find accommodation in Makurdi when they were in transit [11] Doki and some of the World War II veterans like Aemberga Samu, Tsenzughul Tyungu, Ishi Wayo, Gbir Agera started the agitation from Comilla, Bangladesh ...
Akiga visited the mountain with Mr La Grange and Mr Brinks. Karagbe is a Nongov man [19] who brought a pot with shrubs to the Tiv people during the reign of the second Tor Tiv, Zaki Gondo Aluor and called it swem. [20] Thus the origin of swem karagbe which is used by less than 1percent of tiv people. [21]
When they got back to Nigeria, The Tiv world war 2 veterans felt the British treated their own kin the Tiv people with injustice with their indirect rule strategy of governance. The Tiv people were divided into 3 factions and kept under the rulership of the Jukun minority at the North-East , Cross River state at the South-south and Lafia ...
Akiga Sai (1898–1959) was an early Nigerian autobiographer and historian, known for his History of the Tiv. [1]Sai's Tiv language manuscript was edited and translated into English by Rupert East, and first published in 1939.
Nigeria is a very ethnically diverse country with 371 ethnic groups, the largest of which are the Hausa, Yoruba and the Igbo. [1] Nigeria has one official language which is English, as a result of the British colonial rule over the nation.
Paul James Bohannan (March 5, 1920 – July 13, 2007) was an American anthropologist known for his research on the Tiv people of Nigeria, spheres of exchange and divorce in the United States. Early life and education
Kwagh-hir aesthetics are drawn from the patterns of the Tiv culture and depicts the Tiv understanding of their life. This is projected by the use of varied design concepts that are sewn into various styles so as to connote societal activities. The masks are elaborate and reflect the versatile aesthetic background of the Tiv people.