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The decorative motifs of Louis XVI style were inspired by antiquity, the Louis XIV style, and nature.Characteristic elements of the style: a torch crossed with a sheath with arrows, imbricated disks, guilloché, double bow-knots, smoking braziers, linear repetitions of small motifs (rosettes, beads, oves), trophy or floral medallions hanging from a knotted ribbon, acanthus leaves, gadrooning ...
With the death of Louis XV on May 10, 1774, his grandson Louis XVI became King of France at age twenty. The new king had little interest in the arts, but his wife, Marie-Antoinette, and her brothers-in-law, the Comte de Provence (the future Louis XVIII) and the Comte d'Artois (the future Charles X), were deeply interested in the arts, gave their protection to artists, and ordered large amounts ...
Rooms were dominated by massive cabinets, decorated with columns, frontons, pilasters, balustrades, niches and other decoration which matched the elaborate carved wood paneling, called lambris, placed as squares or rectangles on the walls, and the sculpted ceilings with similar decorations. Cabinets, tables and chairs were geometric.
Another small table was the cabaret or á café table, with a small marble top and long legs, on which coffee or drinks could be served. The version introduced in 1770 featured geometric designs and a neoclassical frieze around the plateau. [16] Another popular type of small table was the Table de toilette, or dressing table.
Victorian design is widely viewed as having indulged in a grand excess of ornament. The Victorian era is known for its interpretation and eclectic revival of historic styles mixed with the introduction of Asian and Middle Eastern influences in furniture, fittings, and interior decoration.
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All furniture was low, remaining within reach of a person sitting on the floor. This was because most Japanese people sat on the floor instead of using chairs or tables. In many parts of the world, cultures sat on the floor instead of using chairs and tables in order to gain easier movement and look at the world from a different perspective.
The first Art Nouveau houses appeared in Brussels in 1893, including the Hotel Tassel designed by Victor Horta.Horta designed not only the house and decor but also the furniture, which featured the same nature-inspired curling whiplash lines which were featured in the architecture, wrought iron balcony and stairway railings, ceramic floors, and door handles.
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