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Willan in E flat Willan (Faux-bourdons) Williams in C Willis Derby Service Wills in D Wills on Plainsong Tones (Men's voices) Wise in E flat Wise in F Wood in A flat Wood in A minor Wood in C Wood in C minor Wood in E (Men's voices) Wood in E flat No. 1 Wood in E flat No. 2 Wood in F Wood in F (Collegium Regale) Wood in G Wood founded on an old ...
E major: 4 sharps 10 E minor: 1 sharp 11 F major: 1 flat 12 F minor: 4 flats 13 Either F# major: 6 sharps F# major was the choice of Bach, Hummel, Chopin, Heller, Busoni, Lyapunov, Arensky, Blumenfeld, Ponce, Shostakovich, Cui and Glière. G♭ major was preferred by Alkan, Rachmaninoff, Scriabin, Shchedrin, Stanford and Winding. or G♭ major ...
4.1 By composer. 4.2 Stage works by composer. ... List of symphonies in C-sharp minor; ... List of symphonies in E-flat minor;
Mussorgsky (completed by Stravinsky) – Khovanshchina (E-g ♯) The key scheme in the opera is constructed mostly on a sharp-flat principle; thus the opening, reaching G ♯ major, is the sharpest music in the whole opera, and many portentions or descriptions of disaster in the opera are written in six or seven flats or even beyond.
Stylistically refined minuets, apart from the social dance context, were introduced—to opera at first—by Jean-Baptiste Lully, who included no fewer than 92 of them in his theatrical works [2] and in the late 17th century the minuet was adopted into the suite, such as some of the suites of Johann Sebastian Bach and George Frideric Handel.
This is a list of symphonies in E-flat major written by notable composers. Composer Symphony ... Symphony/Overture in E flat major, Op. 4 No. 3, D34/E9 (1762) [2]
G minor was a frequent choice for minor key symphonies. In the Classical period, symphonies in G minor almost always used four horns, two in G and two in B-flat alto. [4] Joseph Haydn. Symphony No. 39 (1767) Symphony No. 83, The Hen (1785) Wolfgang Amadeus Mozart. Symphony No. 25, KV 183 (1773) Symphony No. 40, KV 550 (1788) Pyotr Ilyich ...
A typical performance takes about 12 minutes. Mozart wrote the work down during a visit paid to Munich for the production of La finta giardiniera from late 1774 to the beginning of the following March. The first movement is in sonata form. The second movement is two minuets, and the first one is in B-flat major. The second one is in E-flat major.