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Spatiality is a term used in architecture for characteristics that, looked at from a certain aspect, define the quality of a space. [1] In comparison to the term spaciousness, which includes formal, dimensional determination of size—depth, width or height—spatiality is a higher category term.
In architecture, spatial design, literary theory, and film theory—affective atmosphere (colloquially called atmosphere) refers to the mood, situation, or sensorial qualities of a space. [1] Spaces containing atmosphere are shaped through subjective and intersubjective interactions with the qualia of the architecture. [2]
Spatial design is a relatively new conceptual design discipline that crosses the boundaries of traditional design specialisms such as architecture, landscape architecture, landscape design, interior design, urban design and service design as well as certain areas of public art.
The term ‘critical spatial practice’ refers to forms of practice between art and architecture.Jane Rendell introduced the term in 2003. [1] Rendell later consolidated and developed the term as one that defined practices located at a three-way intersection: between theory and practice, public and private, and art and architecture.
Illusionistic ceiling painting, which includes the techniques of perspective di sotto in sù and quadratura, is the tradition in Renaissance, Baroque and Rococo art in which trompe-l'œil, perspective tools such as foreshortening, and other spatial effects are used to create the illusion of three-dimensional space on an otherwise two ...
The list is full of examples of this art style and movement that were created by artists from all around the world. So, check them out; maybe it will convince you to become a surrealism enthusiast ...
For example, in the case of a building, the principle of Oku seeks to bring what is distant closer so that the interior and exterior are unified. Oku is demonstrated in the architecture of the Shimane Museum of Ancient Izumo. It features a steel wall that runs along the approach to the museum while the landscaping that dominates the scene does ...
An example of the slashed type (the slash made with a razor blade) is Spatial Concept Waiting (1960, Tate, London). Although Fontana's ideas were vague, his outlook was influential, for he was one of the first, certainly the first Latin American and European artist to truly promote the idea of art as gesture or performance, rather than as the ...