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"Salt Peanuts" is a contrafact of "I Got Rhythm" by George and Ira Gershwin: it has the same 32-bar AABA structure and harmony, but its melody is different. [3] It is a simple piece – "a four-measure riff phrase played twice in each A section, and a slightly more complex bridge (which incorporates the ubiquitous ♭ 9–7–8 figure twice)".
The box set contains a 64-page illustrated booklet that includes rare photographs, full discographical details, and an analysis of each session by Dan Morgenstern, Director of the Institute of Jazz Studies at Rutgers University. [3] It is a re-release of the 12 vinyl discs records on 8 CDs in 1980.
This is an A–Z list of jazz tunes which have been covered by multiple jazz artists. It includes the more popular jazz standards, lesser-known or minor standards, and many other songs and compositions which may have entered a jazz musician's or jazz singer's repertoire or be featured in the Real Books, but may not be performed as regularly or as widely as many of the popular standards.
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In a jazz band, these chord changes are usually played in the key of B ♭ [7] with various chord substitutions.Here is a typical form for the A section with various common substitutions, including bVII 7 in place of the minor iv chord; the addition of a ii–V progression (Fm 7 –B ♭ 7) that briefly tonicizes the IV chord, E ♭; using iii in place of I in bar 7 (the end of the first A ...
A contrafact is a musical composition built using the chord progression of a pre-existing song, but with a new melody and arrangement. Typically the original tune's progression and song form will be reused but occasionally just a section will be reused in the new composition. The term comes from classical music and was first applied to jazz by ...
"Anthropology" (also known as "Thriving from a Riff" or "Thriving on a Riff") is a bebop-style jazz composition that is credited to Charlie Parker and Dizzy Gillespie. [1] ...
The song’s final verse bluntly addressed the dangers of various STDs, with Salt-N-Pepa rapping: “Like a dumb son-of-a-gun, oops, he forgot the condoms/’Oh well,’ you say ‘What the hell ...