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Seamus Justin Heaney MRIA (13 April 1939 – 30 August 2013) was an Irish poet, playwright and translator.He received the 1995 Nobel Prize in Literature.Among his best-known works is Death of a Naturalist (1966), his first major published volume.
All of Heaney's poetry collections are performed except his final one, Human Chain, which was published in the following year. The poems are presented in the chronological order of Heaney's first eleven poetry collections. [note 1] A 58-page by Irish poet Peter Sirr is included in a booklet.
Heaney originally wanted to name the work “Polder.” His editor, Charles Monteith, insisted that Heaney change the title because readers may not be able to pronounce the word. Heaney then wanted the title “Easter Water,” but this name was also discarded in favor of the final name: Field Work.
The book is a collection of Seamus Heaney's poems published between 1966 and 1996. It includes poems from Death of a Naturalist (1966), Door into the Dark (1969), Wintering Out (1972), Stations (1975), North (1975), Field Work (1979), Station Island (1984), The Haw Lantern (1987), Seeing Things (1991), and The Spirit Level (1996).
In the preface, Heaney states his editor, Paul Keegan, encouraged him to create the book. Numerous essays in the book were previously published in earlier collections, namely 1980 Preoccupations, [2] 1988 The Government of the Tongue, 1995 The Redress of Poetry, and the 1989 collection of "Richard Ellmann Lectures in Modern Literature" given in Emory University titled The Place of Writing.
Station Island is the sixth collection of original poetry written by Irish poet Seamus Heaney, who was awarded the Nobel Prize in Literature in 1995. It is dedicated to the Northern Irish playwright Brian Friel.
Oprah's "Favorite Things" episode is one of the best tickets in town every year. The lucky members of the studio audience usually walk away with some very expensive gifts as the host talks up ...
All poems, Eagleton wrote, make use of linguistic tricks to create the feeling of real phenomena, of restoring words to their full value, and Heaney liked that impression; "hence, perhaps, the rural-born Heaney's affection for Beowulf's burnished helmets and four-square, honest-to-goodness idiom, its Ulster-like bluffness and blood-spattered ...