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"Bésame Mucho" (Spanish: [ˈbesame ˈmutʃo]; "Kiss Me A Lot") is a bolero song written in 1932 by Mexican songwriter Consuelo Velázquez. [2] It is one of the most popular songs of the 20th century and one of the most important songs in the history of Latin music. It was recognized in 1999 as the most recorded and covered song in Spanish of ...
The bolero-son: long-time favourite dance music in Cuba, captured abroad under the misnomer 'rumba'. The bolero-mambo in which slow and beautiful lyrics were added to the sophisticated big-band arrangements of the mambo. The bolero-cha, 1950s derivative with a chachachá rhythm. The bachata, a Dominican derivative developed in the 1960s.
"Flores negras" ("Black Flowers") is a bolero song written and composed by Cuban musician Sergio De Karlo and published in 1937. [1] It was introduced by Mexican tenor Pedro Vargas in the 1937 film Los chicos de la prensa. [2]
Mis Boleros Favoritos (English: My Favorite Boleros) is a compilation album by Mexican singer Luis Miguel.Released on 8 October 2002 by Warner Music Latina, it contains thirteen previously-recorded songs from the Romance-themed albums as well as a new track "Hasta Que Vuelvas".
Koji Kondo, composer at Nintendo, planned to use Boléro as the opening crawl for the first The Legend of Zelda video game, but shortly before release was forced to use other music from the game instead due to copyright concerns. [45] Angélique Kidjo performed an adaptation of Boléro in the song "Lonlon" for her 2007 album Djin Djin.
Luis Enrique Gatica Silva (11 August 1928 – 13 November 2018), [1] better known as Lucho Gatica was a Chilean bolero singer, film actor, and television host known as "the King of Bolero". He is widely considered one of the greatest and most influential exponents of the bolero and one of the most popular of all time worldwide. [2]
The music video for Miguel's cover was directed by Pedro Torres, filmed in Miami, and features the artist performing in front of an orchestra. It won the Eres award for Video of the Year. Retrospectively, his rendition received favorable reviews from music critics who listed it among the artist's best songs.
It first reached the Billboard magazine Best Seller chart on May 17, 1945 and lasted 2 weeks on the chart, peaking at #9. [23] In 1949 Alfredo Antonini and his orchestra collaborated with Victoria Cordova (vocalist) and John Serry Sr. to record the song for Muzak. [24] In 1955, jazz pianist Jack Pleis recorded it for his album, Music from ...